Producer Monica Levinson marveled at the efficient partnership of director Brad Anderson and cinematographer Bjorn Charpentier. "On set, Brad understood exactly what he needed to get each day," she said. "In the middle of a shot he'd talk to Bjorn and they'd have a mind meld. The two of them would change the shot ever so slightly to save time on the set-up. Normally the director goes, 'Let's reset', and you come up with a new angle and re-light. But Brad and Bjorn knew how to find the shot on the fly, and that's how we were able to shoot a movie with so many moving pieces and so much scope in just thirty-three days."

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