About a year before Amalgamated Dynamics, Inc. began production, they got a call from producer John Davis, who told them that they may be working on the film. They generated a couple of designs for the Predalien and Alec Gillis had an idea for a Queen-like version. He sculpted a head using castings of teeth from ADI's miniature Queen used in Alien vs. Predator and, for the dreadlocks, cast multiple tails from the molds of the miniature Alien from Alien³, which he then heat-formed them into shape. Artist Steve Koch then photographed the sculpture and digitally added mandibles from the Predator in ADI's showroom and gave the creature the appropriate paint scheme. Beneath the carapace, the creature featured human-like eye sockets, an element re-used from the original Alien in Alien 29 years earlier.

Film

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