The structure of telling Dory's backstory through the small flashbacks was an idea originally conceived for Alla ricerca di Nemo (2003). Andrew Stanton planned to reveal the loss of Marlin's family through gradual flashbacks that would be triggered by events he experienced in the present, but the idea didn't pan out in execution, particularly for making Marlin initially hard to like or empathize with. The narrative was instead shifted to show Marlin's tragedy at the very beginning, and the flashbacks were scrapped, although Stanton revealed he would like to use the framework in a future film.

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