VR didn't just help the filmmakers plan the virtual environments. They also got a digital preview of the physical sets they planned to build. "When you build a giant set for a normal production," explains Stockhausen, "you build models and you do sketching just to make sure everybody's on the same page. You do everything you can to get everybody to understand the space before you build it." So before a single hammer struck a nail, the team conjured virtual walkthroughs of planned real-world sets such as villainous Nolan Sorrento's office or the IOI rig room.

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