Arnold Schwarzenegger's fee for reprising his role was $29.25 million, a record at the time. His contract was 33 pages long and written by Hollywood super-lawyer Jacob A. Bloom between June 2000 and December 2001. It was written into the contract as a "pay or play" fee, meaning he would get paid whether or not the movie was made. His "perk package" included a lump sum of $1.5 million for private jets, a fully equipped gym trailer, three-bedroom deluxe suites on location, round-the-clock limousines, and personal bodyguards. He also insisted on, and got, 20% of the gross receipts made by the venture from every market in the world-including movie theaters, videos, DVDs, television licensing, in-flight entertainment, game licensing, and so forth-once the movie had reached its cash break-even point. Such "contingent compensation" is not unusual in movie contracts, but, in most cases, Hollywood accounting famously uses smoke and mirrors to make sure to define "break-even" in such a way that a movie never reaches it. Schwarzenegger also could decide who worked with him. The contract "pre-approval" clause gave him choice of not only the director (Jonathan Mostow) and the principal cast, but also his hairdresser (Peter Tothpal), his makeup man (Jeff Dawn), his driver (Howard Velasco), his stand-in (Dieter Rauter), his stunt double (Billy D. Lucas), the unit publicist (Sheryl Main), his personal physician (Dr. Graham Waring), and his cook (Steve Hunter). The negotiation of this contract did not come cheaply. The legal and accounting budget for the movie was $2 million. By the time all of Schwarzenegger's demands were met, the budget of the film had risen to $187.3 million, making it the most expensive independently produced movie in history.
Scritto da il
05-03-2025 alle ore 07:30