There are many oblique angles in the movie, where the camera is tilted so the horizon line is not horizontal, to give a feeling of awkwardness and uneasiness (in film theory these are called Dutch Angles). After he saw the movie, William Wyler, a friend of Carol Reed, sent him a spirit level with a note: "Carol, next time you make a picture, just put it on top of the camera, will you?"

Film

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