When Tony Sinclair and Dallas Hanson confront Clay Ellison and burn the wagon, the shot alternates between a facing shot of Clay, and a rear view. In each shot, Clay is holding the shotgun. In the facing shots, he holds it across his body with the barrel held high, yet in each of the rear shots it is held horizontally at arms length. There is no apparent movement of the gun, however.
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05/03/2025 alle ore 08:06
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