As the camera pans the Los Angeles skyline before dissolving to the inside of Evans's office, it is broad daylight. But when the scene dissolves to the office interior, where Evans is interrogating Willie the informant, it's suddenly dark outside as seen through the window, and all the lights in the room are on, further indicating it's night. Subsequently, the scene shifts from the interior of Evans's office back to the L.A. skyline, and once again it's daytime. Also, the skyline shot of the buildings shown after this office scene is obviously a freeze-frame, as the flags are frozen in mid-flutter and there is no other movement visible.
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05/03/2025 alle ore 07:23
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