There are several errors with the control room scenes both in North Korea, and in New York. Firstly Aaron seems to randomly jump in with camera cuts, even though he is a producer, and that is the job of the show's director, who in both locations is non-existent. Secondly, some of the graphics on the monitors appear to have no relation to the show, some look like open photo editors, and others have unidentifiable green charts on them that would be useless to anyone in the room. In addition, the graphics shown on these screens are several different varieties of "Skylark" different from the ones that the show used anywhere in the movie. The one set of screens that is accurate in the room is the screen displaying inputs, although the "titles I - IV" and "A" are all blank, color bars, or off the air. These screens are used to display the various camera angles from the studio, although there are no camera angles present anywhere on the screen. Which must mean Aaron memorized all of the cameras numbers and locations and is somehow constantly aware of what angles they have. Seven of the monitors show the same screen, and three of them are blocked by other monitors, rendering them partially useless. There is also no network clock in the room, which in reality would be used to start the broadcast correctly during its time slot. In North Korea, there is a joystick that Aaron uses to change the angles of the cameras, even though they are regular studio cameras that are controlled by the cameramen. When switching cameras in the North Korean studio, Sook seems to use a line of buttons with various camera numbers on them. However, again there are no monitors displaying these angles, and this process would actually be done using a switcher.
Scritto da il
05/03/2025 alle ore 07:39
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