I protagonisti

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When Griffin opens his door to get out and kill the snake, you can see the entire crew, camera, and [...]	D
David Kahane's head moves after Griffin Mill kills him.	D
In a tracking shot during the confrontation between Mill and the screenwriter, the camera and camer [...]	D
Crew member reflected in the windows of Griffin Mill's vehicle as Griffin pulls over and kills the [...]	D
The murder that triggers the plot occurs outside of a movie theater that has just closed for the ni [...]	D
Mud facial dries much too quickly for the few seconds we see it especially on Griffin's face. [...]	D
Leg and sneaker visible reflecting in the grille of Griffin's Rolls Royce.	D
When Mill reads the newspaper story about the murder, a closeup of article reveals that it is just [...]	D
Position of Griffin's tie while he's breaking up with Bonnie.	D
Twice in this movie there is a rattlesnake that is heard rattling even though we can see that it is [...]	D
(Possible deliberate error by filmmakers) In the movie-within-a-movie "Habeas Corpus", as Bruce Wil [...]	D
Although it has better shock value to see and hear the rattlesnake only when Griffin opens the box, [...]	D
At around 25'50" when Griffin is looking up Kahane's name in a registry, he finds 'Kalchime' on one [...]	D

Griffin Mill: Movies are art, now more than ever [...]	D
Larry Levy: Burt? Larry Levy. I hope you don't r [...]	D
June: Do places like this really exist? Griffin [...]	D
Walter Stuckel: It is my job to keep this very, [...]	D
Griffin Mill: So, what's the story? Walter Stuc [...]	D
June: I like words and letters, but I'm not craz [...]	D
[Levy suggested that writers could be eliminated [...]	D
June: We can't hurry things any more than we can [...]	D
[Last lines] June: What took you so long? Grif [...]	D
June: [on the phone with Griffin] David's gone t [...]	D
Tom Oakley: If I'm perfectly honest, if I think [...]	D
Walter Stuckel: Pictures they make these days ar [...]	D
June: I don't go to movies. Griffin Mill: Why n [...]	D
Griffin Mill: No stars, just talent.	D
[first lines] Man 1: [voiceover] Quiet on the s [...]	D
Griffin Mill: Just... stop with the postcards... [...]	D
Jan: A guy named Joe Gillis called. He wants you [...]	D
June: Why don't you put me in the hot springs an [...]	D
Detective Susan Avery: So you're saying if you d [...]	D
Walter Stuckel: My old man worked for Hitchcock [...]	D
Larry Levy: I'll be there right after my AA meet [...]	D
Griffin Mill: Let's go to Acapulco. June: Is th [...]	D
Larry Levy: Bonnie, you're fired. Bonnie Sherow [...]	D
Detective Susan Avery: Paul went and saw a movie [...]	D
Malcolm McDowell: Griffin? Griffin! Hi, how are [...]	D
Walter Stuckel: How many meetings did you have w [...]	D
Griffin Mill: Can we talk about something other [...]	D
Detective Susan Avery: Mr. Mill, have you been g [...]	D
Griffin Mill: I was just thinking what an intere [...]	D
Jimmy Chase: Hey, you're Martin Scorsese! Alan [...]	D
[Asked to look at police mug shots] Griffin Mil [...]	D
Andy Civelli: Griffin, you move in mysterious wa [...]	D
Griffin Mill: [looking at June's paintings] Thes [...]	D
Griffin Mill: Who's the D.A.? Tom Oakley: Ah! N [...]	D
Bonnie Sherow: How could you let him sell you ou [...]	D
Detective DeLongpre: [stopping Mill just as he's [...]	D
Griffin Mill: It lacked certain elements that we [...]	D
Malcolm McDowell: If you've got something to say [...]	D
Gar Girard: [in the Pasadena police station hall [...]	D
Griffin Mill: Hiya, Burt. Griffin Mill. Good to [...]	D
[after watching The Bicycle Thief] Griffin Mill [...]	D
Griffin Mill: I will not work for Larry Levy. J [...]	D
Griffin Mill: This is a red wine glass. Can I ha [...]	D

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