1855 - La prima grande rapina al treno

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Two songs heard in the brothel scene, "Champagne Charlie" and ""Pretty Polly Perkins of Paddington G [...]	D
If you look carefully, it's easy to see that the four keys requiring all of this work are just two p [...]	D
In Trent's garden, Emily Trent is talking about the water wheel. The position of her umbrella change [...]	D
When Clean Willy escapes from jail, the shadow & sunlight on the ground change dramatically from whe [...]	D
Obvious use of matte painting to fill in the cityscape in the hanging scene.	D
At 1:36:30 the stoker shoveling coal into the train's engine is wearing a modern wristwatch.	D
If the bags were filled with gold bars they would not have been so easily thrown off the train.	D
In one of the movie posters, modern American dollars are shown instead of pound notes, representing [...]	D
The Folkestone main line has always been double track.	D
The oral counting of the 75 seconds while copying the keys at the rail station is only accurate for [...]	D
During the first conversation between Pierce and Agar, the dolly tracks are reflected in the shop wi [...]	D
Visible wire supporting Clean Willy as he climbs the wall of the prison.	D
At the Crystal Palace, the lower line of text ("JUDGING OF 39 CLASSES OF PLANTS") is in the Copperpl [...]	D
At c. 80 minutes the guard remarks that the run between Redhill and Ashford is the fastest part of t [...]	D
When Mariam is shaving Pierce with a straight razor: She runs the razor upward along his throat, wel [...]	D
The whole idea of running back, and then forward, on top of the train make no sense. Why not stick t [...]	D
During the 'raid' on the brothel and in some other scenes, two-tone police whistles are blown. These [...]	D
In the execution scene, outside Newgate prison, there are several people in the crowd wearing modern [...]	D
When he reaches the top of the train and throws his jacket away: In the next shot, before the camera [...]	D
The climactic Connery run along the car tops would have been impossible in 1855, as he would have be [...]	D
When searching for the key in the wine cellar, a flashlight is being used. Flashlights weren't inven [...]	D
High platforms near the train's floor level were not used in British stations until about 1870.	D
The second of the bridges that Pierce has to duck under is of an all-metal construction that would n [...]	D
Transparent stay up stockings, as removed by Lesley-Anne Down in the first bedroom scene, were not i [...]	D
When practicing the timing for Sutherland to run up the stairs, they're shooting for 75 seconds, and [...]	D
During the opening credits train scene, the engineer's hat blows off, and both he and the fireman ap [...]	D
If the gold shipment was solely to pay British soldiers in Crimea, as asserted, it would have been i [...]	D
As the main characters relate what they've found from casing Mr. Trent, Miriam's information ends wi [...]	D
During the fireworks scene at the palace, the fireworks are clearly being set off from, and are expl [...]	D
During the robbery sequence, the telegraph line beside the track appears and disappears.	D
When looking at the mansion from the outside, you see lights coming on through the windows as a pers [...]	D
When casing Mr. Trent, Miriam's information states that his youngest son "has a tendency to sleepwal [...]	D

Frase

Robert Agar, Screwsman: [he and Pierce have discov [...]	D
Edward Pierce: What exactly are you constructing? [...]	D
Robert Agar, Screwsman: [referring to the London B [...]	D
Robert Agar, Screwsman: [Pretending to be a Brothe [...]	D
Edward Pierce: [to Clean Willy] If you've turned n [...]	D
[Edward Pierce arrives from on top of the train] [...]	D
Miriam: All you ever think about is money. Edward [...]	D
Miriam: You like that? - - I can tell it excites y [...]	D
Robert Agar, Screwsman: Well, then, I'm your man. [...]	D
Miriam: Me Mum says a man loves you, he shows you [...]	D
Fowler: [discussing the disguised Miriam with Pier [...]	D
Miriam: It's all very good... unless something goe [...]	D
Robert Agar, Screwsman: [He's just realized Pierce [...]	D
[first lines] Edward Pierce: [narration] In the y [...]	D
Miriam: [pretending to be Madame Lucienne] You are [...]	D
Miriam: [referring to Pierce's social acquaintance [...]	D
Edward Pierce: [referring to Trent's apparent lack [...]	D
Edward Pierce: [to Agar] Find me a dead cat!	D
Judge: [Judgementally] Now, on the matter of motiv [...]	D
Elizabeth Trent: What are your eccentricities, dea [...]	D
Fowler: ["Mme. Lucienne" has revealed the key abou [...]	D
Robert Agar, Screwsman: You didn't do the Barclay [...]	D
Edward Pierce: [to "Clean Willy"] If you've turned [...]	D
Robert Agar, Screwsman: [They're at the train stat [...]	D
Miriam: Do you ever tell anyone the truth? Edward [...]	D
Fowler: [Admiring Miriam] That's what I call a pro [...]	D

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1855 - La prima grande rapina al treno

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