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Approfondimenti

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Errori

When Brian says that Gregory has a wife in Czechoslovakia he is traveling in time. There was no Cze [...]	D
After the shot is fired, the maid runs to the door and calls across the street to the policeman. Na [...]	D
When Paula finds the letter in her aunt's music score, Gregory crumples up the letter and jams it i [...]	D
When Brian Cameron confronts Gregory Anton, Cameron is holding Alice Alquist's costume dress. When [...]	D
The gasolier in the foyer at the beginning of the movie is not the same one in the later scenes. [...]	D
The guide in the Tower of London is incorrectly shown as wearing the uniform of the Chelsea pension [...]	D
(at around 21 mins) When Gregory first plays the pianoforte the instrument is in tune despite it be [...]	D
When embracing at the lake, hands and heads change position.	D
When Gregory has searched the upstairs room for the final time, he has (ostensibly) turned off the [...]	D
When Nancy is following Elizabeth up the stairs, they are both carrying several folded sheets. Imme [...]	D
Toward the end of the film (1:32:30): as Gregory searches the clothing in the attic a camera shutte [...]	D
At about 43 minutes in, a man and a woman with an organ grinder walk past Gregory and Paula's house [...]	D
Gregory is shown leaving the house from the inside, opening the door most of the way. The following [...]	D
When Gregory tells Paula his watch is gone, their shoulder-to-shoulder position changes several tim [...]	D
At the beginning, a man is lighting outdoor gaslights on tall poles, using a long pole with a flame [...]	D

Frase

Gregory Anton: I hope you're not a flighty girl. [...]	D
Nancy Oliver: Gonna work on your tunes again ton [...]	D
Paula Alquist Anton: That house comes into my dr [...]	D
Paula Alquist Anton: I couldn't have dreamed it. [...]	D
Nancy Oliver: She's a tartar, ain't she? Gregor [...]	D
Gregory Anton: It hurts me when you're ill and f [...]	D
Gregory Anton: If I could only get inside that b [...]	D
Gregory Anton: You'd better explain your busines [...]	D
Nancy Oliver: She seems to be getting worse, doe [...]	D
Miss Thwaites: Odd. Definitely odd. It's an odd [...]	D
Miss Thwaites: I'm afraid I enjoy a good murder [...]	D
Gregory Anton: Ring for the maid. Paula Alquist [...]	D
Gregory Anton: Are you becoming suspicious as we [...]	D
Miss Thwaites: Good morning, daffodils. Good mor [...]	D
Gregory Anton: For the last time, what do you wa [...]	D
Gregory Anton: Jewels are wonderful things. They [...]	D
Gregory Anton: I don't ask you to understand me. [...]	D
Elizabeth: The gas comes in pipes, ma'am. And I [...]	D
[last lines] Gregory Anton: You're not angry wi [...]	D
Paula Alquist Anton: My broach. The broach I los [...]	D
Paula Alquist Anton: This night will be a long n [...]	D
Gregory Anton: You must get over this ridiculous [...]	D
Paula Alquist Anton: Yes, of course, that's it. [...]	D
Gregory Anton: You see how it is, Elizabeth. El [...]	D
Miss Thwaites: Have a biscuit, dear. Paula Alqu [...]	D
Gregory Anton: I knew from the first moment I sa [...]	D
Paula Alquist Anton: I must look for it, mustn't [...]	D
Paula Alquist Anton: Will you light the gas, ple [...]	D
Lady Dalroy: I've put you next to Laura Pritchar [...]	D
Gregory Anton: I'll have it mended. You better n [...]	D
Nancy Oliver: What's the matter with the mistres [...]	D
Paula Alquist Anton: Please don't leave me here [...]	D
Lady Dalroy: I'm sorry, Brian, but you'll have t [...]	D
Paula Alquist Anton: Suddenly, I am beginning no [...]	D
Paula Alquist Anton: If I were not mad, I could [...]	D
Miss Thwaites: I'm going to London. I must be in [...]	D
Gregory Anton: Don't you think this is charming? [...]	D
Maestro Guardi: Real tragedy has touched your li [...]	D
Paula Alquist Anton: Did you turn on the gas? Di [...]	D
Paula Alquist Anton: It isn't here, you must hav [...]	D
Gregory Anton: That complexion of yours, that's [...]	D
Paula Alquist Anton: It's all dead in here. The [...]	D

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