Egli camminava nella notte

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After examining the bullet casings, Lee tells Capt. Breen that the same gun was used to shoot Office [...]	D
When Roy Martin confronts Reeves in Reeves' bedroom, Martin's shadow changes position depending upon [...]	D
A revolver ejects its spent casings only if the shooter does so manually, which Richard Baseheart di [...]	D
There is additional lighting from some source(s) when the police are chasing the antagonist through [...]	D
Capt. Breen, in the police car, radios for more police and tear gas and gas masks. The dispatcher is [...]	D
The lettering on Reeves' glass office door ("Positively No Admittance") is backwards. It should be f [...]	D
The Narrator states that police cars come into the station with their sirens wailing. Police cars on [...]	D
Code 3 is radio code for Red Light and Siren. With LAPD, only one unit is authorized to run Code 3 a [...]	D
Despite wearing both shoulder holsters and belt ones, the police in the film never unbutton their co [...]	D
A few times in this film the police refer "pick-locks" when talking about the implements used by cri [...]	D
When Capt. Breen is interviewing Paul, he gets up from his desk and sits down closer to Paul. A shad [...]	D
When Martin flees from his bungalow into the sewer system, the first shot shows him running with a f [...]	D
When running through the sewers, electric cords powering the the flashlights are visible	D
At the radio shop, the suspect tried to pick the lock with only the pick; a tension bar is also need [...]	D

Narrator: And so the tedious quest went on. Sergea [...]	D
Narrator: The work of a police, like that of woman [...]	D
Narrator: [referring to the composite sketch] They [...]	D

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