Mitchell

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Errori

When the police helicopter takes off from Mistretta's house it is late evening, but every subsequent [...]	D
Behind Mitchell as he is eating dinner. (This only appears in the television edit to allow for a cut [...]	D
Mitchell fires three shots from a double-barreled shotgun without reloading.	D
The first time we see the bulldozer in the chase sequence, the smoke is going into the exhaust.	D
The main rotor of the police helicopter is turning much slower in the close ups than in the long sho [...]	D
The Cadillac that Mitchell picks up the old lady in is a 1975 model. When he later blows the car up, [...]	D
During the chase on the mountainside, the passenger's side window on the orange Mustang alternates b [...]	D
The first shot of Mitchell climbing down the rope from the helicopter is clearly not of actor Joe Do [...]	D
Greta's hair is alternately tangled/not tangled in her fingers between shots in the final scene.	D
During the chase on the mountainside, the driver of the Mustang is shown pushing in a clutch even th [...]	D
When Mitchell climbs over a fence at one point, he clearly falls and is headed towards landing on hi [...]	D
Throughout the final chase, the helicopter's altitude is inconsistent in its relation to the boat. T [...]	D
In the shoot out following the drug deal set up, the second thug's jacket is buttoned as he runs at [...]	D
At one point Mitchell gives the time as 24:17 hours. This is not standard military time notation as [...]	D
During the love scene, Mitchell grabs (with his feet) three cans of beer. When he repeats the act to [...]	D

Frase

Mitchell: She'll lie in my bed for nothin'.	D
Cummings: The coffee is cold and you are a lousy b [...]	D
Mitchell: Mr. Cummings! Mitchell, police departmen [...]	D
Greta: He lays me then busts me. Mitchell: Well, [...]	D
Mitchell: I've got beer and... vodka.	D
Chief Pallin: People don't like you, Mitchell. I d [...]	D
[Mitchell uncovers a mysterious white substance in [...]	D
Walter Deaney: C'mon, let's go get some juice.	D
Mitchell: Hey, did you ever do any of that, you kn [...]	D
James Arthur Cummings: What are you doing with tho [...]	D
[last lines] Mitchell: Alright, let's get your co [...]	D
Walter Deaney: Call Mistretta. Tell him to TALK to [...]	D
Walter Deaney: Shut up. I'm thinking.	D
Mitchell: Sorry, beer's got a little excited.	D
Cummings: Watch out for falling rocks.	D
Child: My mother doesn't like you. Mitchell: Well [...]	D
Mitchell: [after smashing a guy's fingers] Shut up [...]	D

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Mitchell

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