Giù la testa

Titolo originale: Giù la testa
Regia: Sergio Leone |
Anno: 1971
Origine: Spain | Italy |
Generi: Western
Tag: mexico | robbery | rape | prisoner | liberation of prisoners | revolution | class | spaghetti western |
Cast: Rod Steiger | James Coburn | Romolo Valli | Maria Monti | Rik Battaglia | Franco Graziosi | Antoine Saint-John | Vivienne Chandler | David Warbeck | Giulio Battiferri | Poldo Bendandi | Omar Bonaro | Roy Bosier | John Frederick | Amato Garbini | Michael Harvey | Biagio La Rocca | Furio Meniconi | Nazzareno Natale | Vincenzo Norvese | Stefano Oppedisano | Memè Perlini | Goffredo Pistoni | Renato Pontecchi | Jean Rougeul | Corrado Solari | Antonio Casale | Benito Stefanelli | Franco Tocci | Rosita Torosh | Aldo Sambrell | Florencio Amarilla | Sergio Calderón | Simon van Collem | Paolo Figlia | Alberigo Donadeo | Tony Casale | Romano Milani | Luigi Tripodi | Claudio Mancini | Riccardo Pizzuti | Franco Ukmar | Antonio Montoya | Rafael Cortes |

Durante la rivoluzione messicana, Juan, leader di una famiglia di banditi, incontra Sean Mallory, militante dell'IRA ed esperto di esplosivi. Juan cerca di persuadere Sean a unirsi a lui per rapinare una banca, mentre l'irlandese è deciso ad usare le sue conoscenze per aiutare la causa della rivoluzione.

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Errori

In the train, the automatic pistol that Juan Miranda uses is a Browning GP35. As its names suggests, [...] D
John's second flashback to his killing of Nolan in the Irish pub contains footage that does not matc [...] D
Although the action takes place circa 1914, when Mallory's possessions are rifled by Miranda's famil [...] D
Juan rests his hand on the barrel of the machine gun from which he just fired hundreds of rounds. He [...] D
When Juan is robbing the 'bank' in Mesa Verde, when he shoots open the second door in the basement, [...] D
Of all the characters living in poverty, being dirty and all, none of them (especially Juan who smil [...] D
The newspaper that John Mallory is given in the "surgical operation" scene reads in the right column [...] D
The bank door exploded outwards. It should have exploded in since the dynamite was placed on the out [...] D
Irish nationalist Mallory owns an IRA flag, but the movie is set in 1913 and IRA and its flag did no [...] D
During the executions in the rain, when Mallory sees Villega identifying rebels, the speed of the wi [...] D
A close-up shot of one of the convoy's trucks as it rolls through mud shows a modern pneumatic tire [...] D
When the deserter is taken from the train to be executed along with two others the wall behind him i [...] D
Depending on how the film's image is presented, an obvious dummy stand-in for Romolo Valli can be se [...] D
In the train wreck sequence, some of the miniature shots of the explosion and the train being destro [...] D
Use of MG42s, a machine gun developed in Germany three decades after the Mexican revolution. D
The dynamite John hands Juan before the bank raid is several sticks in a bundle, with a single fuse [...] D
In the first scene where Juan holds up the stagecoach, one of the children in the bandit gang is hol [...] D
Juan's machine gun is not pointing at Gutierrez as he shoots him. D
When Juan's youngest son is shown lying dead, the actor can be seen breathing. D
When Sean sets his machine gun back on its tripod after setting the charges, it is loaded with a sec [...] D

Frase

[John opens his coat to reveal the explosives he c [...] D
Juan Miranda: What's that? John H. Mallory: It's [...] D
Landowner on stagecoach: Hey, you. You know who yo [...] D
[one of Juan's sons has just fired a pistol into t [...] D
Priest: Even animals can be tame and harmless. Per [...] D
Second Policeman on Train: [holding Juan at gunpoi [...] D
[last lines in uncut version] Juan Miranda: [quie [...] D
Juan Miranda: [looking through John's binoculars t [...] D
[Juan runs to escape a horde of revolutionaries, b [...] D
Mexican Officer: [in Spanish, to an officer who re [...] D
Juan Miranda: [a bird in a cage defecates on Juan' [...] D
[alternate opening title card]: A revolution is no [...] D
[first lines] Stagecoach driver: [shouts various [...] D
Dr. Villega: [to the revolutionaries] And now, to [...] D
Priest: [about peasants] I hate saying it, but you [...] D
Dr. Villega: When the enemy is busy on four fronts [...] D
[repeated line, right before something explodes] [...] D
Juan Miranda: [to his sons] If something happens, [...] D
Juan Miranda: Listen, Günther Ruiz is after us, [...] D
John H. Mallory: Say, which way is it to Lucanina? [...] D
Miguel: [referring to Juan] What about that one? H [...] D
American on wagon: [regarding peasants] Every coun [...] D
[opening title card]: The revolution is not a soci [...] D
Dr. Villega: I see. You've already judged and cond [...] D
Juan Miranda: What kinda work you do for the Germa [...] D
[repeated line] Juan Miranda: John... and Juan... D
Dr. Villega: Not everybody can fight. There are th [...] D
American on wagon: You'll pay for this, you bastar [...] D
[Juan is confronting a landowner who mocked him ab [...] D
[the other revolutionaries have left while Juan an [...] D
John H. Mallory: [to Dr. Villega] When I started u [...] D
Juan Miranda: Hey, what kind of trouble you in? J [...] D
[repeated line] Juan Miranda: O-kay! D
Juan Miranda: You've come here to join the Revolut [...] D
John H. Mallory: Where there's revolution there's [...] D
[repeated line] John H. Mallory: Jesus, for chris [...] D

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