The Devil Rides Out

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When Nicholas lights the candle in the circle it is shown to be not lit. The camera pans down to sho [...]	D
When Rex arrives at the forest to witness the Black Mass, it is almost totally dark. Later in the ev [...]	D
From after Rex has fallen asleep at Marie's house (when he has removed his tie), his shirt alternate [...]	D
Before Tanith enters the house, she is blood-spattered. After she goes inside, the blood spots have [...]	D
In the observatory, when Simon lands on the head of the Goat of Mendes after being punched by de Ric [...]	D
The story is said to take place in April 1929, the green Bentley was not registered until September [...]	D
During the opening credits, a symbol is shown that is not Satanic, and it is also incorporated into [...]	D
It's never established why Mocata is so hellbent on keeping Simon and Tanith in the cult. They're cl [...]	D
At the end of the film when the Duc is standing at the back door, he turns to go back into the house [...]	D
The film is set in the 1920s but when the Duc and Rex arrive at Simon's house and ring the bell it i [...]	D
When the Duke and Rex go back to Simon's house (when no one is at home) they suspect he might be up [...]	D
When Rex and Tanith are riding in the green convertible sports car, there is a part where Mocata's f [...]	D
When Rex and Tanish are driving, the rear projection never changes angles when it cuts back and fort [...]	D

Marie Eaton: [watching Mocata prepare to sacrifice [...]	D
Duc de Richleau: Don't look at the Eyes, Rex!	D
Marie Eaton: [to her servant about Mocata] Show hi [...]	D
Rex Van Ryn: You've got nothing to worry about. T [...]	D
Duc de Richleau: I'd rather see you dead than medd [...]	D
Duc de Richleau: [watching as Rex and Tanith, now [...]	D
Duc de Richleau: [after Duc hands Rex some vials] [...]	D
Duc de Richleau: [fearfully] Do you realise what t [...]	D
Duc de Richleau: [Mocata is about to sacrifice a c [...]	D
Rex Van Ryn: [sadly walks in carrying the body of [...]	D
Duc de Richleau: [rising] I tell you, these people [...]	D

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