Il colosso di Rodi

The real Colossus, one of the Seven Wonders of the Ancient World, is said to have been approximately [...]	D
The widescreen process used is TotalScope, an Italian version of Cinemascope.	D
The credits of the U.S. release version lists four screenwriters. The screenplay was reportedly the [...]	D
MGM's US trailer mentioned that 'Rory Calhoun (I)' was the star of the television series The Texan ( [...]	D
One of the few films to be set in the Hellenic period that spanned the period from the death of Alex [...]	D
During most of his scenes, Rory Calhoun wears a wide bracelet on his left arm and stiffly extends it [...]	D
The original choice for the role of Darios was John Derek, who had played a similar role a few years [...]	D
The choreographer was billed as 'Carla Ranalli'. By the time this went into production, she had beco [...]	D
Rory Calhoun, who was in Italy for the title role in MGM's Marco Polo (1962), stepped into the lead [...]	D
The English-language versions of the film refer to the Athenian hero Darios by the Italian version o [...]	D
According to Sir 'Christopher Frayling', 'Sergio Leone (I)'s early concept for the Colossus was to h [...]	D
Although he had experience directing other films, this was the first to give full on-screen credit t [...]	D

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The cinematic Colossus has its arms stretched out and holding a vessel containing fire. The real Col [...]	D
The picture dates itself to 280 BCE. The island of Rhodes is shown as an independent state, which is [...]	D
The molten lead used to discourage the attack on the statue is red and looks like tomato sauce. Real [...]	D
In the film the Colossus of Rhodes is destroyed by a conveniently timed earthquake shortly after bei [...]	D
They build a huge statue despite the area being prone to terrible storms.	D
One of the Rhodesian patriots has a leather bracelet around his arm in one scene, then the camera pa [...]	D
Dario turns the wheel in the same direction to open and close the ramp that leads to the statue's ca [...]	D
The film dates itself to 280 BC. In the scene where the two thugs try to kidnap Darios, in the backg [...]	D

Diala: [pinned under fallen beam] There's no pain [...]	D
Thar: It's a waste of time to try to get anything [...]	D
Lissipu: [to Darios] I imagine soldiering is not a [...]	D
Mirte: [seductively] I can grant your most secret [...]	D
Darios: [after seeing a court servant die from dri [...]	D
Thar: [referring to Darios] Kill him! Diala: NO! [...]	D

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