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Approfondimenti

The musical theme of the terrace sequence and a few other pieces were re-written by David Raksin on [...]	D
Audrey Dalton would recall that after a three week rehearsal period the film was shot in sequence.	D
At the time Rita Hayworth was married to the co-producer of the film, James Hill.	D
Terence Rattigan's play was generally performed as two one-act plays separated by an intermission, w [...]	D
The third successive year in which Deborah Kerr was nominated for Best Actress at the Academy Awards [...]	D
Made its New York television premiere on 3 October 1965 on WOR channel 9.	D
Deborah Kerr also appeared with Cathleen Nesbitt who played Cary Grant's grandmother in Un amore spl [...]	D
Director Delbert Mann was so upset over producer/star Burt Lancaster's re-cutting of the picture tha [...]	D
The original Broadway production of "Separate Tables" by Terence Rattigan opened at the Music Box Th [...]	D
Director Delbert Mann specifically shot May Hallatt's pool split in a long take with a moving camera [...]	D
Both Cathleen Nesbitt and Gladys Cooper, who are in this film, played the mother of Prof. Henry Higg [...]	D
This was considered quite daring in its day with its frank discussions of sexual topics generally co [...]	D
The title song (music by Harry Warren, lyrics by Harold Adamson), written for the film, became a bes [...]	D
Sixteen years earlier, Gladys Cooper played another haughty and overbearing mother who thus produced [...]	D
The role played by Rita Hayworth was originally assigned to Vivien Leigh but she dropped out of the [...]	D
When she was interviewed by the London "News Chronicle" about her Oscar win, Wendy Hiller said she t [...]	D
The Major's musical theme is a variation on the Scottish song "Wha Wadna Fecht For Charlie?"	D
Delbert Mann was surprised that years later "Separate Tables" was chosen for a retrospective on Brit [...]	D
Laurence Olivier, the original director, wanted Spencer Tracy to play the role of John Malcolm. Afte [...]	D
With 23 minutes and 39 seconds of screen time, David Niven's performance in this movie is the shorte [...]	D
The character of Anne Shankland was based on Jean Dawnay, a close friend of Rattigan.	D
When Charles asks Major Pollock if he received the Sword of Honor at Sandhurst (UK's equivalent of W [...]	D
David Niven hosted the Academy Awards ceremony for 1958. He is the only person ever to win an Academ [...]	D
David Niven's Oscar winning performance in this film is his only Academy Award nomination.	D
Both Cathleen Nesbitt (name Gladys) and Wendy Hiller (surname Cooper) share the real name of Gladys [...]	D
Deborah Kerr's first actual screen appearance (not left on the cutting-room floor) was with Wendy Hi [...]	D

Connessioni

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Errori

Much of the conversation between Ann and John on the balcony has mismatched audio due to looping rec [...]	D
When John takes Ann in his arms on the terrace, she drops her cigarette. As they go back inside, she [...]	D
When Major Pollock is handed the newspaper in the last scene of the movie, it is folded in half in o [...]	D
The same story headline can be seen in two days' editions of the Hampshire newspaper that reports th [...]	D
Camera reflected in window in the last dolly shot.	D

Frase

Mrs. Railton-Bell: We want your views on Major Pol [...]	D
Sibyl Railton-Bell: Why have you told so many awfu [...]	D
John Malcolm: We don't have very much hope togethe [...]	D
Ann Shankland: I didn't mean any harm. John Malco [...]	D
Sibyl Railton-Bell: He says we're alike, he and I. [...]	D
Mrs. Railton-Bell: Are you on the side of Mr. Malc [...]	D
Ann Shankland: We could make-believe couldn't we? [...]	D
Mrs. Railton-Bell: I have no curiosity about the w [...]	D
Mrs. Railton-Bell: Quite obvious they were making [...]	D
[repeated line] Major Angus Pollock: Mea culpa, m [...]	D
Lady Matheson: [Reprovingly, talking about Sybil] [...]	D
Mrs. Railton-Bell: Of course, I realize you must m [...]	D
Major Angus Pollock: Well, thanks again. Cheery-by [...]	D
John Malcolm: You know something, Ann? No one I kn [...]	D
John Malcolm: [to Ann] People who hate the light u [...]	D
Jean: Charles, lets go for a walk in the garden. [...]	D
Ann Shankland: The same old John. Wearing out the [...]	D
John Malcolm: You fondness in me was sometimes sho [...]	D
Jean: You'd better wipe the lipstick off - the old [...]	D
Major Angus Pollock: Mark you, Jerry in the desert [...]	D
John Malcolm: What has he done that's any worst th [...]	D
John Malcolm: [to Ann] You know something? No one [...]	D
Ann Shankland: It's hard to believe, but, you can [...]	D
Miss Meacham: And what do I know of morals and eth [...]	D
Mr. Fowler: The trouble about being on the side of [...]	D
Sibyl Railton-Bell: Why did you do it. WHY did you [...]	D
Pat Cooper: [to John about his relationship with A [...]	D
Pat Cooper: In a hotel, one must tolerate all sort [...]	D
Major Angus Pollock: Well, I'm blithered. Absolute [...]	D
Pat Cooper: I said there was a refuge for you here [...]	D
Ann Shankland: Being alone in a crowd is worse. It [...]	D
Ann Shankland: Why would I have married you if I d [...]	D
John Malcolm: Liars and expensive tramps!	D
Ann Shankland: You're making it a bit too obvious, [...]	D
Major Angus Pollock: [last lines] Lunch at the usu [...]	D
Jean: You know my views on marriage perfectly well [...]	D
Mr. Fowler: The cook's acquiring a lighter touch w [...]	D
John Malcolm: Is this your year for looking up old [...]	D
Ann Shankland: If all I wanted to do was make my h [...]	D
John Malcolm: My ideas of a wife were influenced b [...]	D
Mr. Fowler: Tolerance is not necessarily a good. T [...]	D

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