Approfondimenti

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Errori

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Frase

Narrator: With, "The Dreyfus Affair," the first ev [...] D
Self - Subject: It was a simply a camera freeze th [...] D
Laurent Mannoni: He doesn't stand out through his [...] D
Costa-Gavras: When Méliès became outdated, h [...] D
Costa-Gavras: All his films are joyous. We can eve [...] D
[first lines] Narrator: In 1923, Georges Mélià [...] D
Narrator: Could Méliès have been the first f [...] D
Costa-Gavras: The French Cinematheque always set t [...] D
Narrator: In the end, his final screen appearance, [...] D
Laurent Mannoni: To understand Méliès, we mu [...] D
Costa-Gavras: I saw it as some sort of suicide. As [...] D
Costa-Gavras: The moon was everybody's romantic dr [...] D
Béatrice de Pastre: Over the years, different o [...] D
Narrator: There's no escaping your destiny. D
Self - Subject: My first studio was a big and long [...] D
[last lines] Randy Haberkamp: Film history teache [...] D
Laurent Mannoni: There was a patent war at one poi [...] D
Michel Gondry: There is obviously a great creativi [...] D
Laurent Mannoni: Méliès is deeply rooted in [...] D
Béatrice de Pastre: Unlike the magic shows wher [...] D
Laurent Mannoni: Méliès was, of course, the [...] D
Costa-Gavras: Méliès is an extraordinary cha [...] D
Self - Subject: The first contact between me and M [...] D
Michel Gondry: There is something joyful and inven [...] D
Randy Haberkamp: Gaston Méliès thought that [...] D

Elenchi

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