L'altro uomo

Titolo originale: Strangers on a Train
Regia: Alfred Hitchcock |
Anno: 1951
Origine: United States of America |
Generi: Crime Thriller
Tag: infidelity | island | based on novel or book | perfect crime | psychopath | obsession | detective | suspicion | theory | carousel | lighter | film noir | stalking | black and white | train | strangulation | double cross | amusement park | husband wife estrangement | chance meeting | cocktail party | fiancée | perfect murder | penn station | storm drain | tennis match | tennis pro | trains | murder swap |
Cast: Farley Granger | Ruth Roman | Robert Walker | Leo G. Carroll | Patricia Hitchcock | Kasey Rogers | Marion Lorne | Jonathan Hale | Howard St. John | John Brown | Norma Varden | Robert Gist | Brooks Benedict | John Doucette | Harry Hines | Alfred Hitchcock | Paul McGuire | Oliver Cross | Tom Ferrandini | Stuart Hall | Joel Allen | Murray Alper | Monya Andre | Benjie Bancroft | Harry Baum | Al Bridge | Joe Brooks | John Butler | Leonard Carey | Edward Clark | Jack Cushingham | John Daheim | Marilyn Dialon | Jay Eaton | Roy Engel | Herbert Evans | Franklyn Farnum | Tommy Farrell | Sam Flint | Kay Garrett | Robert Haines | Sam Harris | Edward Hearn | Al Hill | Mary Alan Hokanson | Edna Holland | J. Louis Johnson | Fred Kelsey | Mike Lally | Perc Launders | Louis Lettieri | George Magrill | Charles Marsh | Thomas Martin | David McMahon | Charles Meredith | Ralph Moody | Mike Morelli | Roland Morris | Odette Myrtil | Richard Neill | Barry Norton | Spec O'Donnell | Paul Panzer | Minna Phillips | Anthony Redondo | Georges Renavent | Suzanne Ridgway | Dick Ryan | Charles Sherlock | Janet Stewart | Brick Sullivan | Shirley Tegge | Laura Treadwell | Joe Warfield | Howard Washington | Dick Wessel | Chalky Williams | Robert B. Williams |

Guy Haines è un tennista di successo con una moglie isterica. Bruno Anthony è un miliardario con un padre di cui farebbe volentieri a meno. I due s'incontrano in treno e Bruno espone subito il suo progetto: se Guy gli fa fuori il padre, lui in cambio gli ucciderà la moglie. Guy rifiuta, ma Bruno mette lo stesso in atto il suo progetto e pretende che l'altro gli ricambi la 'cortesia'.

Approfondimenti

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Domande

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Errori

After Guy has passed the dog on the stairs and proceeds, a shadow is seen moving out of the frame at [...] D
When Bruno is kicking Guy on the merry-go-round, he is not holding the cigarette lighter; when he di [...] D
When Bruno drops the lighter down the sewer, he tells the bystanders, he needs help retrieving his c [...] D
When Guy is having a conversation with Professor Collins on the train, the drunk man's legs appear t [...] D
When Bruno arrives at the Metcalf train station with the cigarette lighter in hand, a background sig [...] D
Guy arrives at the amusement park late because a long-running tennis match delayed him. It would hav [...] D
When Miriam's glasses drop to the ground as Bruno strangles her, they land softly on the grass and d [...] D
The whole idea behind the perfect murder scheme of Bruno's is that he and Guy are perfect strangers [...] D
Bruno strains to the limit to reach the lighter at the bottom of the drain, but when he grasps it, h [...] D
Except for the first few rows of real humans up front, the rest of the tennis fans in the stands are [...] D
As Bruno is hurrying back to his boat after strangling Miriam on the island, he passes other couples [...] D
The taxicab shown heading across Memorial Bridge into Arlington from Washington (instead of correctl [...] D
Early in the film, when the train pulls into the station, the NHRR coaches are the newer, smooth-sid [...] D
As Bruno demonstrates strangulation on Mrs. Cunningham, Barbara is seen to stop behind her to watch, [...] D
When Bruno is following Miriam on the carousel, the speed of the background is not consistent with t [...] D
When Guy is walking past the Lincoln Memorial with the detective, he sees Bruno watching him from at [...] D
Around 00:54:11, Bruno says "Tell me, Judge..." but his lips don't move. D
When Guy arrives in Washington D.C. at night, the illuminated capitol dome is visible in the backgro [...] D
Behind the photographers just before the start of the tennis match we can see a scoreboard showing a [...] D
When Guy is in Bruno's house, the beam of the flashlight is not consistent between the shot of Guy l [...] D
During the initial conversation on the train, Bruno's cigarette vanishes from his mouth mid-sentence [...] D
When the detectives lose Guy outside the Forest Hills tennis stadium, they are standing on a curb wi [...] D
Bruno has fingernails that were a little long. After his mother gives him a manicure and asks if she [...] D
The train trip from NYC to D.C. took about four hours with stops at Newark, Philadelphia, Wilmington [...] D
The hand that grasps the cigarette lighter in the drain has shorter fingernails than Bruno's hand, a [...] D
When Guy says "Oh, excuse me" after accidentally bumping Bruno's foot in the opening scene in the tr [...] D
There are two tennis balls on the court when Guy is warming up, but they are gone when the game star [...] D
During the fight scene on the merry go round, the projected spinning background slows drastically fo [...] D
The map Bruno draws of his house does not quite match the set. The set has the hallway with the fath [...] D
The tennis match played before the end of the movie is clearly put together from two different games [...] D
During the Forest Hills tennis match, Guy's shadow moves from behind him, to in front of him, to his [...] D
When Bruno takes a taxi from the Antony house in Arlington, Virginia, to travel to Union Station in [...] D
Bruno stops at a lunch stand when he returns to the amusement park for the climax. The young girl in [...] D
When Hennessey and Hammond follow Guy to the station, they see him at the ticket booth. As they carr [...] D
Toward the end, at the merry-go-round, Guy tells Bruno that the man with him is the Chief of Police, [...] D
A crew member is reflected in the car door when the two detectives get out of the car at the station [...] D
When Guy is on the train returning to Metcalf (after the tennis match) you can see over his shoulder [...] D
When the two bodyguards are chasing after Guy, they stop on a street where the shadows in the backgr [...] D
The amount of wind on the actors during the merry go round scene is not sufficient for how fast they [...] D
It is ridiculous to believe a police officer would fire a shot into a moving carousel filled with ch [...] D
When Bruno rushes to the train station, his cab is going the wrong way on the Arlington Memorial Bri [...] D
When Guy goes to the Morton house after being interrogated by the police, Barbara's position on the [...] D
When Bruno is riding on the merry-go-round, his hands change position between camera cuts. D
As Bruno approaches the fairground following Miriam, the position of his hands changes between shots [...] D
Even though Dr. Collins, Guy's potential alibi on the train, was drunk and didn't remember him, Guy [...] D
When Bruno gets back into his boat after strangling Miriam, he sits down and pulls a lever to put th [...] D
When Guy arrives in Metcalf to head off Bruno, he walks up to a taxi and tells the driver, "Amusemen [...] D
Guy and Bruno are in the New Haven Railroad dining car, but the silver coffee pot on the table has t [...] D
An obvious double is playing the final match instead of Guy. D
When Bruno is riding on the merry-go-round following Miriam, his hands change position between camer [...] D
The openings in the sewer grate where Bruno drops the lighter are too small for Bruno's arm, especia [...] D
In Miriam's murder scene, her glasses fall to the grass and the left lens is cracked. When Bruno giv [...] D
When Bruno is speaking French to the Darvilles and is interrupted by Barbara, there is a jump cut on [...] D

Frase

Bruno Anthony: Your wife. My father. Criss-cross. D
Barbara Morton: Oh, Daddy doesn't mind a little sc [...] D
Minister: [Last Lines] I beg your pardon, but aren [...] D
Bruno Anthony: There I go again. Too friendly. It [...] D
Mrs. Anthony: Come see my painting. [walks into n [...] D
Senator Morton: I'll have him called up immediatel [...] D
Prof. Collins: [drunkenly] Name's Collins. On sabb [...] D
Bruno Anthony: Everyone has somebody that they wan [...] D
Bruno Anthony: It must be pretty exciting to be so [...] D
Det. Leslie Hennessey: I wonder where he went? De [...] D
Bruno Anthony: Sure, I went to college. I got kick [...] D
Senator Morton: I thought he was a bit weird when [...] D
[first lines] Guy Haines: Oh, excuse me. Bruno A [...] D
Miriam Joyce Haines: Hey, are we going to go to th [...] D
Senator Morton: Be guided by my experience. Never [...] D
Barbara Morton: Who's the interesting-looking Fren [...] D
Bruno Anthony: That reminds me of a *wonderful* id [...] D
Miriam Joyce Haines: I really should have had a ho [...] D
Bruno Anthony: Have you ever driven a car blindfol [...] D
Bruno Anthony: I certainly admire people who do th [...] D
Bruno: My theory is that everyone is a potential m [...] D
Prof. Collins: [singing] There was a man who had a [...] D
Anne Morton: [on the phone] You sound so savage, G [...] D
Bruno Anthony: I'm afraid I don't know what a 'smo [...] D
Mrs. Anthony: You look so pale, dear. Are you out [...] D
Bruno: I have the perfect weapon right here: these [...] D
Bruno Anthony: Don't worry, I'm not going to shoot [...] D
Guy Haines: I may be old-fashioned, but I thought [...] D
Guy Haines: Doesn't that bloodhound ever relax? He [...] D
Senator Morton: You had no trouble, of course, wit [...] D
Senator Morton: One doesn't always have to *say* w [...] D
Anne Morton: How did you get him to do it? Guy Ha [...] D
Bruno Anthony: When's the wedding? Guy Haines: Th [...] D
Mrs. Anthony: Well, I do hope you've forgotten abo [...] D
Anne Morton: We'd better be getting back. Guy Hai [...] D
Bruno Anthony: How do you do, sir? I'd like to tal [...] D
Guy Haines: It's pretty late to start flirting wit [...] D
Guy Haines: I don't think you know what you want. [...] D
Senator Morton: Dreadful. Dreadful business. Poor [...] D
Bruno Anthony: You think my theory is okay, Guy? Y [...] D
Barbara Morton: I still think it would be wonderfu [...] D
Bruno Anthony: What did you say her name was? Your [...] D
Guy Haines: I guess I'm a little jittery. Bruno A [...] D
Guy Haines: [long kiss] Darling, you're trembling. [...] D
Bruno Anthony: Now, you're going to do a murder. H [...] D
Guy Haines: You crazy maniac! Would you please get [...] D
Det. Leslie Hennessey: [jumps into nearby car] Exc [...] D
Mrs. Cunningham: You know, I read of a case once. [...] D
Barbara Morton: I've just been talking to your sha [...] D
Guy Haines: Miriam - murdered? Anne Morton: She w [...] D

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