Monroe Stahr:
Your name's well-known here.
Brimmer:
And yours is well-known in New York, Mr. Stahr.
Cecilia Brady:
[serving Monroe and Brimmer]
You have done well by water and you by land.
Monroe Stahr:
What?
Cecilia Brady:
Anthony and Cleopatra, didn't you recognize it?
Monroe Stahr:
Shakespeare? No, l didn't get any Shakespeare at school. How about you, Mr. Brimmer?
Brimmer:
Oh, a bit.
Monroe Stahr:
Where do you come from?
Brimmer:
Tennessee. Baptist.
Monroe Stahr:
l'm New York. Jewish.
Brimmer:
l know.
Monroe Stahr:
Oh, at least we're all Americans.
Brimmer:
We sure are, Mr. Stahr.
[Monroe smiles and nods; Brimmer takes a sip from his coffee; Cecilia smiles and looks on the both men]
Brimmer:
Well?
Monroe Stahr:
Well, l'm glad you came out here. l wanted to talk to you. You've got my writers all upset.
Brimmer:
Keeps them from going to sleep, doesn't it?
Monroe Stahr:
l want them awake, but l don't want them crazy.
[Brimmer stretches himself comfortably on his chair]
Brimmer:
Well, we're simply concerned that they have the proper protection, that's all.
Monroe Stahr:
[eyeing Brimmer irritably]
Who from, me?
Brimmer:
You're a very good employer, Mr. Stahr, but, uh... we still think that the position can be... rationalized.
[smiles]
Monroe Stahr:
l'll tell you three things: All writers are children. Fifty percent are drunks. And up till very recently, writers in Hollywood were gag-men; most of them are still gag-men, but we call them writers.
Brimmer:
[nods and smiles]
Uh-huh. But they're still the farmers in this business. They grow the grain, but they're not in at the feast.
Monroe Stahr:
This looks to me like a try for power, Mr. Brimmer, and I will not give them power. I'll give them money, I won't give them power. Anyway, they're not equipped for authority.
[Cecilia continues to look on the two; Brimmer laughes]
Cecilia Brady:
More coffee, Mr. Brimmer?
Brimmer:
No, thank you.
Riportata da il
05/03/2025 alle ore 09:08
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