J.K.L. Berensen:
Rosenthaler continued to work in confinement. Strikingly, the artist favored raw materials sourced exclusively from within the prison-asylum domain. Powdered eggs. Pigeon blood. Shackle grease. Coal, cork, and dung. Fire, of course. Bright yellow scullery soap. And fresh cream of millet as a binding agent.
Riportata da il 05/03/2025 alle ore 09:35

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