Rosati in 2019:
Last but not least, I believe that Moreno was enormously excited by the fact that he was proposing his method to the RTF which, as a Factory of 'Cultural Conserves', was the opposite of psychodrama. A space to conquer. Schutzenberger made the Trojan Horse enter in Paris. When I saw the documentary for the first time I was moved by Moreno's emotion, by his stress, by his over acting and his happiness. Moreno did an anti-psychodramatic operation: he used the poor Hungarian actor to express his - of Moreno - poetry of God as a Father in the style of a normal director. Jung would say that from the unconscious of Moreno the spirit of the Trickster surfaces with a drop of manipulation. A few moments the Jocker takes the place of the Player. That meeting in Paris was what Maslow called a Peack experience. A sacred moment. A level crossing. An encounter of two sides of the same coin: Fiction and Truth in Play. Moreover Moreno was deeply shocked by the presence of Rossellini, the great director who was for the Cinema what Moreno was for the Theater of the Twentieth Century: a seeker of truth. And who, for once, was in that small radio studio to frame Jacob Levi who spent his life to make others express themselves. And Rossellini as director did not correct Moreno's mistakes. He simply filmed them. Rossellini was the therapist.
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05/03/2025 alle ore 08:11
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