The film opens in sepia-tone academy ratio for the Kansas scenes, before widening out and blooming into full color in Oz. However, even the Kansas scenes are 3-D (when screened appropriately). Monochrome 3-D films are exceptionally rare, and the Kansas portion of this film is believed to be the longest sepia-tone sequence in modern 3-D.
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05-03-2025 alle ore 07:37