Amadeus

Titolo originale: Amadeus
Regia: Miloš Forman |
Anno: 1984
Origine: United States of America |
Generi: Storia Musica Dramma
Tag: opera | composer | musician | marriage crisis | italy | talent | emperor | melancholy | austria | based on play or musical | mozart | god | murder | vienna, austria | envy | 18th century | reflective | prodigy | playful | bitter | tragic |
Cast: F. Murray Abraham | Tom Hulce | Elizabeth Berridge | Simon Callow | Roy Dotrice | Christine Ebersole | Jeffrey Jones | Charles Kay | Kenny Baker | Lisbeth Bartlett | Barbara Bryne | Martin Cavani | Roderick Cook | Milan Demjanenko | Peter DiGesu | Richard Frank | Patrick Hines | Nicholas Kepros | Philip Lenkowsky | Herman Meckler | Jonathan Moore | Cynthia Nixon | Brian Pettifer | Vincent Schiavelli | Douglas Seale | Miroslav Sekera | John Strauss | Karl-Heinz Teuber | Miro Grisa | Samuel Ramey | Helena Cihelníková | Felicity Lott | Karel Gult | Richard Stilwell | Zuzana Kadlecová | Isobel Buchanan | Magda Čelakovská | Anne Howells | Slavěna Drášilová | Deborah Rees | Eva Šenková | Patricia Payne | Leoš Kratochvíl | Alexander Oliver | Gino Zeman | Robin Leggate | Jaroslav Mikulín | John Tomlinson | Ladislav Krečmer | Willard White | Karel Fiala | Richard Stilwell | Jan Blažek | John Tomlinson | Zdeněk Jelen | Willard White | Suzanne Murphy | Suzanne Murphy | June Anderson | Milada Čechalová | Brian Kay | Lisbeth Bartlett | Gillian Fisher | John Carrafa | Sara Clifford | Richard Colton | Shelley Freydont | Anne Glasner | Barbara Hoom | Mary Ann Kellogg | Raymond Kurshals | John Malashock | Jennifer Rawe | Tom Rawe | William Whitener | Hana Brejchová | Miriam Chytilová | Karel Effa | Radka Fidlerová | René Gabzdyl | Karel Hábl | Aťka Janoušková | Marta Jarolímková | Gabriela Krčková | Vladimír Krouský | Jiří Krytinář | Jan Kuželka | Radka Kuchařová | Jiří Lír | Lenka Loubalová | Dagmar Mašková | Ladislav Mikeš | Jitka Molavcová | Jana Musilová | Vojtech Nalezenec | Pavel Nový | Jiří Opsatko | Jan Pohan | Tereza Pokorná-Herzová | Ivan Pokorný | Milan Riehs | Iva Šebková | Zdeněk Sklenář | Renata Vacková | Jiří Vančura | Dana Vávrová | Petra Vogelová | Josef Zeman | Viktor Maurer | Zdeněk Mahler | Vladimír Svitáček | Karel Engel | Antonín Kramerius | Zbyněk Bruthans | Lubomír Havlák |

Nel 1823 al manicomio di Vienna Antonio Salieri, acclamato musicista di Corte, confessa un tremendo segreto: ha consumato la vita nel tentativo di distruggere Mozart, volgare e libertino, indegno, secondo lui, dei doni divini. Sotto il segno del più scatenato gusto del gioco, è una riflessione sul contrasto tra genio e mediocrità e sull'invidia. Scritto dall'inglese Peter Shaffer, da una sua pièce (1979). Omaggio a Praga. Splendide immagini, due grandi interpreti. 8 Oscar: film, regia, sceneggiatura, attore, costumi, suono, trucco, scenografia. Non tenendo conto che, in fondo, è un Mozart visto da Salieri i molti mozartiani di stretta osservanza hanno eccepito sulla fedeltà storica, specialmente sulle libertà prese per la genesi del Requiem, ma avrebbero da lamentarsi di più i pochi ammiratori di Salieri. Al Festival di Berlino 2002 fu presentata una edizione restaurata (Director's Cut) e allungata di oltre 20´.

Approfondimenti

In one scene, Mozart refers to Christoph Willibald Gluck as "boring" and says, "I don't like" George [...] D
Sir Peter Shaffer shares his name with the original set designer (for the premier) of Wolfgang Amade [...] D
Donald Sutherland read for the role of Salieri. D
Vincent Schiavelli was informed by director Milos Forman after one take of him walking that, "Televi [...] D
Jeffrey Jones replaced Ian Richardson in the role of Emperor Jozef II. D
That really is Tom Hulce playing the piano on his back in one scene. D
The first Best Picture Oscar winner to also win Best Makeup and Hairstyling. D
F. Murray Abraham was in the make-up chair for an average of 4.5 hours each day he played the old ag [...] D
Peter MacNicol auditioned for the role of Mozart. D
This is one of only eleven films to receive more than one Academy Award nomination for Best Actor. I [...] D
Final film of Eva Senková. D
Elizabeth McGovern, who had earned an Oscar nomination for her performance in Milos Forman's previou [...] D
The only Best Picture Oscar nominee that year to be also nominated for Best Makeup. D
Hugh Wilson had hoped to direct this movie, but was turned down. D
The opera house in the film in which Mozart conducts The Marriage of Figaro and Don Giovanni is wher [...] D
The musicians play on an instrument that was the forerunner to the modern piano, called the forte-pi [...] D
The only film in which both Best Actor nominees, F. Murray Abraham and Tom Hulce give their one and [...] D
The accent convention in this movie is: American accents are native German speakers. Non-American ac [...] D
The filmmakers often used music with text that could be interpreted as referential to the pathos of [...] D
The piece of Wolfgang Amadeus Mozart's music with the oboe and clarinet themes, whose score Salieri [...] D
Tom Hulce said he based Mozart's distinctive, obnoxious laugh on a very famous director he worked wi [...] D
When Mozart upstages Salieri by modifying the march that Salieri wrote for the emperor, the modified [...] D
Milos Forman insisted that his lead actors retain their American accents so that they could concentr [...] D
The performance of "Don Giovanni" in the movie was filmed on the same stage where the opera fir [...] D
As Mozart, having fainted, is carried out of the middle of the opera "The Magic Flute", you see thre [...] D
David Bowie and Mikhail Baryshnikov were considered for Mozart. D
The play, on which the film is based, was first performed on November 2, 1979 at the National Theatr [...] D
Several real (or at least apocryphal) events from Wolfgang Amadeus Mozart's life were incorporated i [...] D
When the movie won Best Picture at The 57th Annual Academy Awards (1985), Sir Laurence Olivier was p [...] D
F. Murray Abraham originally sought for the small role of Rosenberg. During one audition session, Mi [...] D
Though there are dubious historical reports that the real Mozart had an obnoxious laugh, Tom Hulce c [...] D
Milos Forman and Sir Peter Shaffer spent four months adapting the very stylized play into a workable [...] D
Several professors of music stated, after studying all of the musical keys struck on pianos througho [...] D
Entire film was shot with natural light. In order to get the proper diffusion of light for some scen [...] D
Patrick Hines' final film. D
In the movie Salieri is portrayed as celibate, having chosen celibacy as a way to thank God for his [...] D
Sets and costumes for the operatic productions were based on sketches of the original costumes and s [...] D
Tom Hulce and F. Murray Abraham had a deliberately distant working relationship during the making of [...] D
The only Best Picture Oscar nominee not nominated in either of the support acting categories that ye [...] D
Elizabeth Berridge, during the Nipples of Venus scene, did not know she could spit out the candy (wh [...] D
The filmmakers often used music with text that could be interpreted as referential to the pathos of [...] D
The final film of Jonathan Moore. D
Salieri's chaste, unexpressed love for Katarina Cavalieri is shattered by the realization that Mozar [...] D
Fourth-billed actor Simon Callow's first appearance is 81 minutes into the film. D
F. Murray Abraham learned to read and conduct music for his role. D
Now Playing Podcast reviewed Amadeus. This film received three "recommends". D
During the opening scene, where Salieri is carried through the snowy streets, he is carried past a l [...] D
Milos Forman: [Schiavelli] Vincent Schiavelli appeared in almost every Forman film. Here he's Salier [...] D
Neville Marriner had less than an hour to commit to the project as he was in between connecting flig [...] D
Originally, a very young Kenneth Branagh was cast as Mozart, but Milos Forman changed his mind and d [...] D
Set in Vienna but filmed in Prague. D
Mozart's middle name "Amadeus" for which the film is named, when translated from Latin means "love o [...] D
In preparation for some aspects of the title role, actor Tom Hulce studied footage of temperamental [...] D
Milos Forman wanted Amy Irving to repeat her Broadway role of Mozart's wife. To his disappointment, [...] D
Tom Hulce allegedly perfected his irritating Mozart laugh by testing it on unsuspecting store clerks [...] D
During filming in 1983, Czechoslovakia was under Communist rule. The production team was often follo [...] D
In 2019, the film was selected for preservation in the United States National Film Registry by the L [...] D
"Amadeus" joins a select group of other Best Picture Academy Award winners never to crack the box of [...] D
In the movie Salieri deliberately sabotages Mozart, envious of the superior talent of a man he regar [...] D
According to John Harkness's book "The 1999 Academy Awards Handbook", Maurice Jarre, in his speech a [...] D
Sir Peter Shaffer broke down in tears when he first visited the Prague opera house, knowing that Wol [...] D
The film ironically helped spark a revival of Salieri's music, which had previously languished in ob [...] D
Tom Hulce has a tendency to play crazy characters, wild characters, characters who are overly sexual [...] D
Simon Callow's first completed theatrical film. He had made his debut in "Gossip" in late 1982 starr [...] D
This film is in the Official Top 250 Narrative Feature Films on Letterboxd. D
Since the movie wasn't financed by a major studio, Orion Pictures promoted the film with a music vid [...] D
One of two films to have won both Best Picture and Best Actor at the Academy Awards with 2 Best Acto [...] D
The movie was shot without the use of light bulbs or other modern lighting devices. D
When shooting the scene in which Salieri is writing down the death mass under Mozart's dictation, To [...] D
This is the twelfth - and, as of 2021, the most recent - film to receive multiple Best Actor Oscar n [...] D
The soundtrack made #56 in the Billboard album charts, making it one of the most successful classica [...] D
Only four sets needed to be built: Salieri's hospital room, Mozart's apartment, a staircase, and the [...] D
Throughout the entire film, all German (even those in the operas) is translated to English. All Ital [...] D
An important theme of movie is the change in Salieri's belief in God. That might be the reason for t [...] D
Tim Curry and Mark Hamill both auditioned for the role of Mozart (and played Mozart on Broadway). D
According to Milos Forman's autobiography, one studio offered to fund the film on the condition that [...] D
The Emperor tells of the young Mozart proposing marriage to his sister, Antoinette. This was Marie A [...] D
It has been claimed that the concept for Wolfgang Amadeus Mozart's bizarre laugh was taken from "ref [...] D
The filmmakers often used music with text that could be interpreted as referential to the pathos of [...] D
One of only 4 productions to win both a Tony Award for Best Play (1981) and the Best Picture Oscar ( [...] D
The original Broadway production of "Amadeus" opened at the Broadhust Theater on December 17, 1980 a [...] D
Mozart was christened Joannes Chrystostomus Wolfgangus Theophilus Mozart. The first two names, accor [...] D
Several paintings in the film are based on real portraits of Wolfgang Amadeus Mozart and his father, [...] D
Meg Tilly originally was cast as Stanze but tore a leg ligament in a street soccer game the day befo [...] D
Cast member Simon Callow originally portrayed the part of Wolfgang Amadeus Mozart in the 1979 stage [...] D
The script clearly took some artistic liberties, including the plotline of the masked man who comes [...] D
The "Don Giovanni" scene was being shot in part on the Fourth of July. During one take, upon Milos F [...] D
This film is used to teach children about Mozart in schools, even though it starts with Salieri slit [...] D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. D
Understandably, no major studio was interested in financing a three hour biopic about a classical mu [...] D
Burt Reynolds was an early candidate for Salieri. D
The film is included on Roger Ebert's "Great Movies" list. D
One of 11 American Musicals to win Best Picture: 1) La canzone di Broadway (1929), 2) Il paradiso de [...] D
Salieri in the movie often eats or admires pastries and other varieties of sweet food. According to [...] D
In a interview on The One Show (2006) in 2013, Andrew Lloyd Webber said he was offered the role of M [...] D
Tom Hulce only knew how to play the guitar before shooting. Milos Forman said they could cheat it, b [...] D
The original script for "Amadeus" saw a number of variations in character actions and roles: Salieri [...] D
Sam Waterston auditioned for the role of Salieri. D
This is one of only seven films to receive more than one Academy Award nomination for Best Actor. In [...] D
Considering that the main conflict of the film is the envy of Salieri ( F. Murray Abraham ) for the [...] D
Salieri says that Mozart composed his first concerto at the age of four, his first symphony at seven [...] D
Prague (Milos Forman's native city) was ideal as a stand-in for Vienna, as modern television antenna [...] D
The music was pre-recorded and played in the background as scenes were filmed. Tom Hulce practiced f [...] D
Mel Gibson, Mick Jagger, and Tim Curry all auditioned for the role of Mozart. D
Despite featuring an international cast of actors, none of them were required to adopt the Austrian, [...] D
The sets and costumes from the film were also used in Non dimenticate Mozart (1985). D
At age 17, Cynthia Nixon played Lorl, the maid employed by Salieri to spy on Mozart. Though she was [...] D
Baron van Swieten (played by Jonathan Moore) has a Dracula connection. He was the son of Gerhard van [...] D
During the start Confutatis section dictation, a miscue from John Strauss (who was cuing the music p [...] D
The filmmakers often used music with text that could be interpreted as referential to the pathos of [...] D

Connessioni

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Domande

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Errori

This film is not a biopic. It is a work of historical fiction. Many of the events shown did not occu [...] D
When describing La nozze di Figaro, Salieri says "I saw the woman... hear her husband speak the firs [...] D
Mozart plays carom billiards with what appears to be a tipped cue. The first tipped cue was invented [...] D
Near the end when the bed-ridden Mozart is dictating a movement of his Requiem to Salieri, he tells [...] D
Schikaneder has Mozart play the party theme in the style of Johann Sebastian Bach, which the Viennes [...] D
A few mourners are shown at the city gates when Mozart is buried. The Viennese burial custom at the [...] D
Don Giovanni was not Mozart's "blackest" opera. Far from being dark, it was classified by Mozart him [...] D
When Mozart goes into the bedroom late at night to check on his son (and Stanzi awakens and looks at [...] D
The Emperor Francis recalls an incident between the young Mozart and "My sister, Antoinette" - ie Ma [...] D
Near the end when the bed-ridden Mozart is dictating a movement of his Requiem to Salieri, he tells [...] D
Mozart is walking through Vienna drinking from a green glass bottle (in the director's cut we see th [...] D
When the confessor is waiting to enter Salieri's door from the hallway of the asylum, there is a wom [...] D
When Mozart goes to meet Emperor Josef II for the first time, there are two guards keeping Mozart ou [...] D
During "The Abduction from the Seraglio" performance, we see Kappelmeister Bonno watching from the b [...] D
At the end of the funeral procession, Katerina Cavalieri lowers and closes her umbrella, as a steady [...] D
The Don Giovanni scene implies that Leporello, Don Giovanni's servant, shares his master's fate. Act [...] D
At the first meeting of Mozart, Emperor Josef II finishes playing the march for Mozart and as he sta [...] D
Snow and heavy rain are shown falling at the time of Mozart's death and burial. Contemporary Viennes [...] D
When Emperor Josef is sitting and talking to Mozart, behind the Emperor is a servant holding a small [...] D
There is one huge, musical and dramatic mistake, that seems to have been missed for all these years [...] D
At the beginning of the film, Salieri plays for the priest on what looks like a harpsichord, yet the [...] D
At the start of the film, Salieri laments the fact that his music is forgotten while the music of Mo [...] D
During the closing act of Don Giovanni, the jets of flame that appear underneath the backdrop change [...] D
The dancers in the opera/ballet scene are wearing costumes with zippers clearly visible. D
The film places Salieri in Mozart's Vienna apartment and shows him contributing to the composer's de [...] D
The film implies that Leopold Mozart opposed his son's marriage to Constanze Weber, and was even hos [...] D
During the performance of "The Magic Flute", when the famous Queen of the Night Aria is being perfor [...] D
When Stanze and Schikaneder argue about when Mozart will be paid to write an opera for Schikaneder, [...] D
At the beginning of the film, the aged Salieri plays the first 18 notes of "Serenade No. 13 for stri [...] D
Both Mozart and Salieri are shown conducting an orchestra in modern style, by standing in front and [...] D
The powder on Mozart's forehead when trying on wigs before the first meeting with the emperor. After [...] D
When Mozart is talking about the opera that will take place in a harem, he says it is set in "Turkey [...] D
Mozart says music he is writing "is going to explode like a bombshell". The term bombshell as a coll [...] D
During the comic opera, a crew member is seen when the last of the small horses pops through the sid [...] D
When asked to play in the style of Handel, Mozart says "I don't like him." He also states that Chris [...] D
[Director's Cut] When Mozart asks Salieri for a loan, the cup jumps from Mozart's hand to the table. D
Josef II's title was Holy Roman Emperor, not Emperor of Austria as Salieri states. The name change t [...] D
When Mozart is at the billiard table, the balls change position with each camera shot. D
Wolfgang Amadeus Mozart was left handed, not right as portrayed by Tom Hulce, most noticeable when h [...] D
The candles that Salieri holds when Mozart is laid on his deathbed are shorter than they are when he [...] D
Severals scenes show the use of stage smoke, which looks like it was created with dry ice. While dry [...] D
Salieri is shown to promise God to remain chaste in exchange for becoming a famed composer, and thro [...] D
When Mozart performs in the orchestra for "The Magic Flute" he is shown playing the bell solo on a c [...] D
When Mozart is conducting "The Marriage of Figaro", the Emperor can be seen yawning in the backgroun [...] D
Don Giovanni premiered Prague, not Vienna. D
Towards the end when Salieri is speaking with Constanze, his hair frequently swaps from hanging back [...] D
Mozart is shown being buried in a mass grave. This was not the practice at the time. A "common grave [...] D

Frase

Wolfgang Amadeus Mozart: The whole thing is set in [...] D
Wolfgang Amadeus Mozart: "Confutatis maledictis" - [...] D
Antonio Salieri: [to Father Vogel] While my father [...] D
[Mozart loses at musical chairs] Emanuel Schikane [...] D
Constanze Mozart: Wolfie, I think you really are g [...] D
Wolfgang Amadeus Mozart: I'm a vulgar man, your Ex [...] D
[first lines] Antonio Salieri: Mozart! Mozart, fo [...] D
Archbishop Colloredo: [to Mozart's father] Your so [...] D
Antonio Salieri: [to Father Vogel] I will speak fo [...] D
Antonio Salieri: [to Father Vogel] That was not Mo [...] D
Antonio Salieri: [reflecting upon Mozart's scores] [...] D
Antonio Salieri: He was my idol. Mozart, I can't t [...] D
Constanze Mozart: Stop it! Wolfgang Amadeus Mozar [...] D
Count Orsini-Rosenberg: Italian is the proper lang [...] D
[the Emperor offers the sheet music of Salieri's w [...] D
Constanze Mozart: What are you doing here? Antoni [...] D
Antonio Salieri: I heard the music of true forgive [...] D
[repeated line] Emperor Joseph II: Well, there it [...] D
Constanze Mozart: No. I'm not going to marry you. [...] D
Wolfgang Amadeus Mozart: [speaking backwards] Say [...] D
Antonio Salieri: [to Father Vogel] That was Mozart [...] D
Count Orsini-Rosenberg: [about Mozart] A young man [...] D
Antonio Salieri: My father, he did not care for mu [...] D
Wolfgang Amadeus Mozart: [to Emperor Joseph II] Si [...] D
Wolfgang Amadeus Mozart: It's unbelievable, the di [...] D
Emanuel Schikaneder: [to Mozart] Look, you little [...] D
Antonio Salieri: I was staring through the cage of [...] D
Antonio Salieri: Are you sure you can't leave thes [...] D
Wolfgang Amadeus Mozart: I am fed to the teeth wit [...] D
Antonio Salieri: But why? Why would God choose an [...] D
Antonio Salieri: [to Father Vogel] Your merciful G [...] D
Wolfgang Amadeus Mozart: Why must I submit samples [...] D
Antonio Salieri: Mozart, it was good of you to com [...] D
Wolfgang Amadeus Mozart: [of his great opera "Figa [...] D
[addressing the complaints about the "improper" li [...] D
Wolfgang Amadeus Mozart: [trying on wigs] They're [...] D
Emanuel Schikaneder: Look, I asked you if we could [...] D
Emperor Joseph II: My dear young man, don't take i [...] D
Constanze Mozart: [to Mozart's father] May I offer [...] D
Father Vogler: All men are equal in God's eyes. A [...] D
Antonio Salieri: [addressing a crucifix] From now [...] D
Wolfgang Amadeus Mozart: I actually threw the scor [...] D
Antonio Salieri: [to Father Vogel] So rose the dre [...] D
Antonio Salieri: My plan was so simple. It terrifi [...] D
[Having played two pieces of music to Father Vogel [...] D
Antonio Salieri: The restored third act was bold, [...] D
Wolfgang Amadeus Mozart: Forgive me, Majesty. I am [...] D
[last lines] Antonio Salieri: [wheelchaired throu [...] D
Katerina Cavalieri: I heard you met Herr Mozart. [...] D
Antonio Salieri: [reflecting upon a Mozart score] [...] D
Wolfgang Amadeus Mozart: [about the royal composer [...] D
Emperor Joseph II: Brava, madame! You are an ornam [...] D
Antonio Salieri: Leave me alone. Father Vogler: I [...] D
Antonio Salieri: All I wanted was to sing to God. [...] D
Wolfgang Amadeus Mozart: [suddenly realizing] My m [...] D
Antonio Salieri: [about Emperor Joseph II's musica [...] D

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