Approfondimenti

Before filming the flashback scene when Sahachi is dying in Red Beard's clinic, Akira Kurosawa playe [...] D
This film is in the Official Top 250 Narrative Feature Films on Letterboxd. D
Toshirô Mifune usually appeared in several films a year for Toho, doing many cameos and guest rol [...] D
Actor Yoshio Tsuchiya wanted to work on Ghidorah: The Three-Headed Monster but couldn't due to his c [...] D
Red Beard is the only Kurosawa film to contain any nudity. D
Filmmaker John Sayles chose this movie as his favorite film in an AFI survey. D
Akira Kurosawa's desire for authenticity for this film led to having the hospital set thoroughly sto [...] D
Principal photography took two years. D
The clinic was built based on the modeling of the Koishikawa Nursing Home, which was built in 1722. [...] D
Kirk Douglas visited the set during filming. D
The film is included on Roger Ebert's "Great Movies" list. D
This film is part of the Criterion Collection, spine #159. D
Akira Kurosawa: [weather] The film is well-known for its snowy sequences. Light-hearted scenes are a [...] D
According to film historian Donald Richie, this is the first time Kurosawa used a four directional s [...] D
As was typical for his work with Kurosawa, film composer Masaru Satô was only given one week to c [...] D
According to the novelization for Once Upon A Time in Hollywood, which is basically Tarantino channe [...] D
Period construction of the hospital went as far as to use the right kind of aged wood that would hav [...] D
This movie marked the end of Akira Kurosawa's collaboration with Toshirô Mifune. They collaborate [...] D
Akira Kurosawa's last black-and-white film. D
According to the DVD commentary by film scholar Stephen Prince, this is the only Akira Kurosawa film [...] D
This would mark the ninth and final time that Yoshio Tsuchiya would be featured in a Kurosawa film. [...] D

Connessioni

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Frase

Genzo Tsugawa: We knew you were coming two weeks a [...] D
Dr. Kyojô Niide: You were drunk and men have a [...] D
Madame Yasumoto, Noboru's mother: You look differe [...] D
Dr. Kyojô Niide: [At Lord Matsudaira's mansion: [...] D
Dr. Noboru Yasumoto: Are these things the rule her [...] D
Heikichi: I began drinking when I was 9, and I've [...] D
Dr. Handayu Mori: [In the background, the women co [...] D
Dr. Kyojô Niide: [At dinner with the other staf [...] D
Tokubei Izumiya: Pardon my abrupt question, but is [...] D
Dr. Noboru Yasumoto: I'm no good at all! I'm selfi [...] D
Dr. Noboru Yasumoto: When she stares at me, I don' [...] D
Dr. Kyojô Niide: Your daughter's more and more [...] D
Dr. Kyojô Niide: Medical science doesn't know e [...] D
Dr. Noboru Yasumoto: [shouting an order to the kit [...] D
Otoyo: I made rice balls for you today. Chôji: [...] D
Osugi: It's hard to believe men. Dr. Noboru Yasum [...] D
Dr. Kyojô Niide: Poverty's a political problem [...] D
Genzo Tsugawa: We eat here. It's called the dining [...] D
Genzo Tsugawa: She's a special patient. The whole [...] D
Genzo Tsugawa: [Showing Yasumoto a waiting room fi [...] D
Dr. Kyojô Niide: Nothing's so solemn as a man's [...] D
Genzo Tsugawa: [Showing the newly-arrived Yasumoto [...] D
Dr. Noboru Yasumoto: You taught me the road to tak [...] D
Genzo Tsugawa: It's really terrible here. Being he [...] D
Dr. Handayu Mori: The pain and loneliness of death [...] D
Dr. Noboru Yasumoto: It smells like rotten fruit. [...] D
[last lines] Dr. Noboru Yasumoto: You're a fool! [...] D
Dr. Kyojô Niide: Don't touch her. Your hand wil [...] D

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