Rashomon

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Italian censorship visa # 11394 delivered on 13 February 1952.	D
The title of the film has recently been added to the Oxford English Dictionary as describing "...res [...]	D
This film is often given credit for the first time a camera was pointed directly at the sun. In Akir [...]	D
In the wife's vision, the music used was only available during post-production. Akira Kurosawa and h [...]	D
"Rasho" means "citadel." "Mon" means "gate." RashÃ´mon means the front gate of Heijokyo (Nara City [...]	D
In his autobiography, Akira Kurosawa recalled that one of the biggest problems his crew encountered [...]	D
Ranked number four non-English-speaking film in the critics' poll conducted by the BBC in 2018.	D
The music used while Masako is telling her version of the story sounds quite similar to Maurice Rave [...]	D
Directors like Federico Fellini, Woody Allen, Satyajit Ray, Ingmar Bergman and John Huston consider [...]	D
Was chosen by Premiere magazine as one of the "100 Movies That Shook the World" in the October 1998 [...]	D
In the downpour scenes showing the Rashomon Gate, Akira Kurosawa found that the rain in the backgrou [...]	D
Akira Kurosawa asked ToshirÃ´ Mifune to model his character's movements after wildlife, particular [...]	D
Twice remade (without much success) as American films - "The Outrage" in 1964, which turns the story [...]	D
The title "Rashomon" (or main city gate) has become a part of popular culture in the context of the [...]	D
Director Akira Kurosawa often shot a scene using multiple cameras filming at the same time - a rarit [...]	D
First Akira Kurosawa film to be nominated for an Oscar.	D
When TajÃ´maru is dragging the wife through the forest by the hand, Akira Kurosawa decided the wif [...]	D
TajÃ´maru is despite being in feudal Japan not carrying a Japanese Katana, but rather a Chinese Ji [...]	D
Akira Kurosawa: [weather] This movie is known for its use of symbolic weather. Throughout most of it [...]	D
During shooting, the cast approached Kurosawa en masse with the script and asked him, "What does it [...]	D
Even during high noon the parts of the forest that the crew needed to shoot in were still too dark. [...]	D
The film consists of 407 separate shots - more than twice the usual number for a film of this length [...]	D
Included among the "1001 Movies You Must See Before You Die," edited by Steven Schneider.	D
Often credited as the reason the Academy created the "Best Foreign Film" category.	D
The film was acclaimed by Japanese critics, with many of them having high hopes for the film to find [...]	D
The film is included on Roger Ebert's "Great Movies" list.	D
This film is part of the Criterion Collection, spine #138.	D
Machiko KyÃ´, who plays the wife character in the movie, was the last surviving member of the cast [...]	D
When the film was released internationally to rave reviews, many speculated that Akira Kurosawa was [...]	D
This film is in the Official Top 250 Narrative Feature Films on Letterboxd.	D
A very early use of the "hand-held" camera technique. This is seen when the camera follows the chara [...]	D
Named by director Daniel Petrie as his favorite film in an AFI poll.	D
The "RashomÃ´n" sign from the gate was preserved and kept by director of photography Kazuo Miyagaw [...]	D
Numerous American TV shows - sitcoms, science fiction adventures, animal cartoons, etc. - have had a [...]	D
TajÃ´maru is the only character referred to by name in the film.	D

Masako: A man has to make a woman his by his sword [...]	D
Commoner: It sounded interesting, at least while I [...]	D
Woodcutter: I don't understand. I just don't under [...]	D
Woodcutter: I'm the one who should be ashamed. I d [...]	D
Priest: It's horrifying. If men don't trust each o [...]	D
Commoner: Women use their tears to fool everyone. [...]	D
TajÃ´maru: [Recalls luring the wife to the grove [...]	D
Masako: What should a poor, helpless woman like me [...]	D
TajÃ´maru: I saw the couple three days ago. It w [...]	D
Priest: A man's been murdered. Commoner: So what? [...]	D
TajÃ´maru: [recalling staring transfixed at the [...]	D
Masako: [laughing hysterically] It's you two who a [...]	D
Commoner: But is there anyone who's really good? M [...]	D
Priest: I don't want to hear it. No more horror st [...]	D
Priest: A human life is truly as frail and fleetin [...]	D
Priest: War, earthquake, winds, fire, famine, the [...]	D
Masako: Wherever. Take me wherever you want.	D
Masako: A woman loves a man who loves passionately [...]	D
Woodcutter: You selfish... Commoner: What's wrong [...]	D
Masako: Wait! Stop! Either you die or my husband d [...]	D
Commoner: It's human to lie. Most of the time we c [...]	D
TajÃ´maru: [Presenting his sword to the husband] [...]	D
Priest: Dead men tell no lies.	D
Commoner: Well, men are only men. That's why they [...]	D
Masako: Kill that person, please!	D
Woodcutter: It's a lie. It's all a lie. TajÃ´mar [...]	D
Commoner: We all want to forget something, so we t [...]	D
TajÃ´maru: I had never seen such fierceness in a [...]	D
Commoner: No one tells a lie after he's said he's [...]	D
TajÃ´maru: I already had you, but I only want yo [...]	D

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In the woodcutter's story after the bandit's final attack on the Samurai and the wife screams; when [...]	D
Around the 22:30 mark (in the Criterion release), the bandit explains to the husband about the sword [...]	D
At the beginning of the film when the woodcutter finds the dead body, the arms and hands are stiff a [...]	D