Big Eyes

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In the scene where Walter and Jane meet for the first time, the ice cream in her hand changes betwee [...]	D
When Margaret walks around the supermarket with the display of the copies of her work for sale, many [...]	D
The paint-out, in which Margaret challenged Walter to paint a Big Eyes painting, was in San Francisc [...]	D
To introduce the island of Oahu, where Margaret Keane settles after leaving Walter, the camera pans [...]	D
When Margaret reveals on the radio that she painted the "Big Eyes" paintings, the sign outside the r [...]	D
When Walter shows the money from the nightclub sale, the bills, especially the $5 bills, are not of [...]	D
During the shot of the reporter outside the courthouse, a camera operator shoots the story. The came [...]	D
"Tomorrow Forever," the UNICEF painting Keane painted for the 1964 Worlds Fair, was never actually m [...]	D
The trial takes place in federal court in Hawaii; however, the emblem behind the judge says "Judicia [...]	D
An early scene shows Margaret and Walter painting a landscape in San Francisco at the Palace of Fine [...]	D
The Bible verse that the Jehovah's Witness cites as Timothy 3:1-5, is actually 2 Timothy 3:1-5.	D
At the jazz club, the owner says, "Give it up for..." That expression originated in 1990.	D
The grocery store where Margaret finds mass-produced copies of her paintings appears to be an A&P. A [...]	D
When Margaret Keane drives the green Meteor, the shift lever is in Park.	D
Most of the Checker Taxicabs have large aluminum bumpers introduced after 1973.	D
In the opening scenes, Amy Adams' character drives her car on a winding road, up a hill toward an ob [...]	D
When Margaret first appears in North Beach, a curb ramp is on the sidewalk at Bannam Place and Green [...]	D
The film begins with Margaret leaving her first husband in 1958, subsequently meeting Walter for the [...]	D
At Club Mandalay, Walter complains to Margaret about his difficulties breaking into the art scene. H [...]	D

Frase

[last lines] Dick Nolan: [narrating] Two things m [...]	D
Margaret Keane: I think people buy art because it [...]	D
Walter Keane: Get out of my house! My big house!	D
Walter Keane: For God's sake, you've seen me paint [...]	D
Closing Title Card: Walter never accepted defeat, [...]	D
Hipster Lady: I think it's creepy, maudlin and ama [...]	D
Dee-Ann: Stop that. You're better off. Between us, [...]	D
Walter Keane: What is wrong with the lowest common [...]	D
Margaret Keane: Espresso? Is that like reefer?	D
Title Card: I think that what Keane has done is ju [...]	D
Walter Keane: You have an amazing talent. You can [...]	D
[first lines] Dick Nolan: [narrating] The '50s we [...]	D
Ruben: Now, please, clear out the clutter before t [...]	D
Walter Keane: What are you afraid of! Just because [...]	D
Ruben: What's that with the big crazy eyes? Walte [...]	D
Walter Keane: Would you rather sell one $500 paint [...]	D
Judge: That's not testifying, that's filibustering [...]	D
Jehovah's Witness #1: We have something to share w [...]	D

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Big Eyes

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