L'alibi di Satana

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Approfondimenti

The radio that is shown in a few scenes is a Hallicrafters Model SX-42 and "represents a peak of pos [...]	D
Wendie Lee's debut.	D
There is an apparent in-joke when Hurd Hatfield compares Joan Caulfield's Mathilda character to her [...]	D
The plane Matilda returns on is a 1946 Pan Am Lockheed L-049 "Constellation", registration NC88856, [...]	D
The locomotive shown roaring out of the tunnel near the beginning of the film is a Southern Pacific [...]	D
This film's earliest documented telecasts took place in Cincinnati OH Thursday 2 August 1956 on WKRC [...]	D
Film debut of Fred Clark.	D
In an article in the 10 October 1946 edition of the New York Times, Humphrey Bogart was to have star [...]	D
Audrey Totter was borrowed from MGM for this picture.	D
The novel upon which this film is based was first published in serial form in The Saturday Evening P [...]	D
Joan Caulfield was borrowed from Paramount and Audrey Totter was borrowed from MGM for this film.	D
The radio station call letters, WMCB, were created by inserting Michael Curtiz's initials into those [...]	D
According to TCM's Eddie Muller, Michael Curtiz had wanted to cast Orson Welles in the role of Victo [...]	D
At the Police lab, two bullets are compared under a duel microscope for rifling marks, and a closeup [...]	D
The final career roles and screen appearances for Joan Caulfield and Audrey Totter both occurred in [...]	D
Franz Waxman is the credited composer of the very effective score, en route to winning two consecuti [...]	D
Final film of Eleanor Counts.	D
Grandison's character was based on the flamboyant radio star Alexander Woollcott.	D
This was Michael North's final role. After this film, he became an agent. Among his clients were Red [...]	D
In a 15 November 1946 article in the New York Times, Eve Arden was slated for a role in this film - [...]	D
First production in a 14 picture deal between director Michael Curtiz's new production company and W [...]	D

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L'alibi di Satana

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