Il talento di Mr. Ripley

Titolo originale: The Talented Mr. Ripley
Regia: Anthony Minghella |
Anno: 1999
Origine: United States of America |
Generi: Thriller Crime Dramma
Tag: new york city | friendship | ship | new love | lovesickness | jealousy | dual identity | double life | based on novel or book | venice, italy | beguilement | italy | homicide | yacht | secret identity | atlantic ocean | new identity | prosecution | fake identity | rejection | inferiority | inferiority complex | wealth | male homosexuality | envy | shocking | identity theft | complex | gay theme | intense | distressing | frightened |
Cast: Matt Damon | Gwyneth Paltrow | Jude Law | Cate Blanchett | Philip Seymour Hoffman | Jack Davenport | James Rebhorn | Sergio Rubini | Philip Baker Hall | Celia Weston | Fiorello | Stefania Rocca | Ivano Marescotti | Anna Longhi | Alessandro Fabrizi | Lisa Eichhorn | Gretchen Egolf | Jack Willis | Frederick Alexander Bosche | Dario Bergesio | Larry Kaplan | Claire Hardwick | Antonio Prester | Lorenzo Mancuso | Onofrio Mancuso | Massimo Reale | Emanuele Carucci Viterbi | Caterina Deregibus | Silvana Bosi | Gianfranco Barra | Renato Scarpa | Deirdre Lovejoy | Brian Tarantina | Guy Barker | Bernardo Sassetti | Perico Sambeat | Gene Calderazzo | Joseph Lepore | Rosario Giuliuni | Eddy Palerno | Byron Wallen | Pete King | Clark Tracey | Jean Toussaint | Geoff Gascoyne | Carlo Negroni | Giuseppe Fiorello | Marco Quaglia | Alessandra Vanzi | Marco Rossi | Roberto Valentini | Francesco Bovino | Stefano Canettieri | Marco Foti | Ludovica Tinghi | Nicola Pannelli | Paolo Calabresi | Pietro Ragusa | Simone Empler | Gianluca Secci | Manuel Ruffini | Pierpaolo Lovino | Roberto Di Palma | Dominic Fumusa |

1958: Tom Ripley è un giovane americano educato di modesta estrazione. Cede il posto alle signore e ascolta rispettosamente i consigli dei più anziani. Con gli amici è allegro, non ha eguali nell'imitare i personaggi celebri, nel cantare e suonare il piano. Soprattutto tende spesso a mentire pur di mascherare la propria condizione. Un giorno durante un party la grande occasione: un ricco industriale gli chiede, dietro un cospicuo compenso, di riportare negli Stati Uniti suo figlio Dickie, che vive un esilio dorato in Italia. Tom infatti, si è sentito di spacciarsi per un suo compagno di università, avendo indossato un blazer dell'istituto fattosi prestare da un amico per l'occasione. Il giovane entra in una gigantesca avventura, raggiunge quindi Ischia, dove vive Dick Greenleaf; ne diventa amico, e conosce anche la sua bella ragazza, Marge.

Errori

Tom supposedly only has the green corduroy jacket in Italy, but we see him wearing a black sport coa [...] D
The ship Tom takes to England is the Queen Mary, shown passing the Manhattan skyline. But the lifebo [...] D
In the last scene, Tom is wearing a scarf in one shot and it's completely off in the next after show [...] D
In the Hot Jazz Vesuvio club when Dickie invites Tom onto the stage, Dickie moves to one side. He th [...] D
When Tom returns with Marge on his scooter, he drops her off near Dickie's apartment, then enters on [...] D
When they are all out to sea, Marge comes out of the water and walks to Tom who sits alone on the bo [...] D
Ripley's microphone at the jazz club (highly uncharacteristic for the 1950s). D
Tom sets his modern blue-covered U.S. passport on a desk. In the 1950s (when the film is set) Americ [...] D
When Tom opens Dickie's faked suicide letter, the year is typed as "I959" with an uppercase "I." Man [...] D
After Tom's first meeting with Marge and Dickie on the beach, Dickie tells Marge he doesn't remember [...] D
When Ripley and MacCarron are on the balcony in Venice, a 1998 car ferrying motorboat can be seen in [...] D
When Tom is lugging the "drunk" Freddie Miles to his car after the bludgeoning, he imitates Freddie' [...] D
When Ripley and Dickie are playing chess, Dickie moves a pawn. A bit later, we see a close-up of the [...] D
During the opening scene in 1958 New York, the Sony Tower (formerly the AT&T Building), which was bu [...] D
When Marge attacks Tom on the pier, his arms go up to fend her off, then he finger-combs his hair, b [...] D
When Marge arrives in Venice at the Santa Lucia railways station, visible in the background on the o [...] D
During the boat scene between Ripley and Dickie, Dickie is wearing white shoes. However, when the pa [...] D
When Peter and Tom go to meet Marge (at around 44 mins), on the left of the screen when the glass do [...] D
The 'glasses' Ripley wears throughout the film often do not have lenses in, revealing them as a prop [...] D
When Freddie and Dickie are talking on the boat, Freddie has a drink in his left hand, and stirs it [...] D
When Dicky and Tom are riding down the country road on a scooter, you can see the shadow of the crew [...] D
At the San Remo jazz fest, there is a seated blonde near Dickie and Tom. From the front, she is bare [...] D
When Ripley and Peter take the ship to Greece, the sun sets to the port side of the ship, indicating [...] D
When Meredith sees Tom in a store in front of the Spanish Steps, they take a walk, and come down the [...] D
When the main characters go to the opera in Rome, the theater is the San Carlo in Naples. D
Modern construction cranes on the Venice skyline. D
When Tom makes a martini for Marge and Peter the neck of the vermouth bottle has a plastic flow-cons [...] D
When Tom and Dickie are in the boat on the sea of San Remo, in the background is visible Casinò d [...] D
After Silvana (the "other woman") floats ashore and is lying dead in the old woman's lap you see her [...] D
When Tom and Dickie are in the boat on the sea of San Remo, the Isle of Capri, 800 kilometers distan [...] D
after Marge climbs onto the boat after supposedly swimming she doesn't look wet and she leaves no we [...] D
When Tom Ripley is trying to learn to identify jazz musicians from recordings, he's listening to Cha [...] D
When Tom talks to Marge after he returned home from San Remo, the cover of a Miles Davis LP is visib [...] D
When Freddie takes the tiller from Dickie, the position of his hand jumps between the front shot and [...] D