Lo sciacallo - Nightcrawler

Titolo originale: Nightcrawler
Regia: Dan Gilroy |
Anno: 2014
Origine: United States of America |
Generi: Crime Dramma Thriller
Tag: underground | psychopath | journalism | job interview | cynicism | sociopath | murder | serial killer | crime scene | psychological thriller | los angeles, california | home invasion | stakeout | newsreel footage | character study | neo-noir | ethics | stringer | police scanner | news business |
Cast: Jake Gyllenhaal | Riz Ahmed | Rene Russo | Bill Paxton | Kevin Rahm | Michael Hyatt | Price Carson | Kent Shocknek | Sharon Tay | Ann Cusack | Carolyn Gilroy | Marco Rodríguez | Michael Papajohn | Jonny Coyne | Rick Chambers | Pat Harvey | Rick Garcia | James Huang | Leah Fredkin | Bill Seward | Holly Hannula | Nick Chacon | Kevin Dunigan | Alex Ortiz | Eric Lange | Kiff VandenHeuvel | Christina De Leon | Jamie McShane | Dig Wayne | Myra Turley | Merritt Bailey | Juan Fernandez | Lisa Remillard | Manuel Lujan | Chris Wolfe | Austin Raishbrook | Marc Raishbrook | Dale Shane | Kathleen York | Viviana Chavez | Stephanie D'Abruzzo | Emily Dahm | Bill Blair |

Louis è un ladro di materiali edili quando lo incontriamo, non è chiaro cosa abbia fatto prima ma ora ruba rame, ferro e simili per rivenderli sottoprezzo ai cantieri con un obiettivo più grande: trovare un vero lavoro in una congiuntura economica non facile. Tuttavia nessuno assume un ladro. Un giorno è testimone di un incidente stradale e vede una troupe televisiva accorsa per riprendere l'accaduto, capisce che è un vero lavoro e uno che paga ma nemmeno in questo caso trova qualcuno pronto ad assumerlo così pensa di poter fare da sè e con i propri metodi (il furto) ruba il necessario per comprare un'attrezzatura di base e iniziare a girare le strade di Los Angeles in cerca di incidenti, furti e cronaca dura da rivendere ad un'emittente locale con pochi scrupoli. Quando il business si fa più serio aumenta anche la sua abilità ma non il suo senso del limite e dell'etica verso le vittime.

Approfondimenti

Directorial debut of Dan Gilroy. D
The crane shot that ends the film is meant to suggest that Lou is a virus "and that he was now going [...] D
When Rick meets with Lou for his job interview, they sit at a booth in a diner. The same diner is us [...] D
Jake Gyllenhaal's character introduces himself to detectives as Lou. Earlier in the movie he correct [...] D
Dan Gilroy considered a backstory that would help explain how Lou Bloom became the amoral and damage [...] D
During a Q&A, director Dan Gilroy stated that he views Lou's insane drive as an "infection" that spr [...] D
Tony Gilroy doesn't like the part of the home invasion scene where Lou enters the nursery because th [...] D
Jake Gyllenhaal lost 20 pounds for his role. This was Gyllenhaal's own idea, as he visualized Lou as [...] D
Director Dan Gilroy on the impetus for the film: "I think to some degree it's certainly an indictmen [...] D
Italian censorship visa # 108971 delivered on 11 November 2014. D
Several actors auditioned for the character of Rick, but while most played him as a laid-back, pot-s [...] D
Jake Gyllenhaal memorized the entire movie like a play. D
The creators consulted with an LA-based "Stringer" organization called RMG News, owned and operated [...] D
Cinematographer Robert Elswit is Jake Gyllenhaal's godfather. D
An age-gap relationship with the woman as the senior partner is very rarely shown in Hollywood movie [...] D
Despite receiving nominations for Best Actor at the Golden Globes, BAFTAs, SAG, Critics Choice award [...] D
The filmmakers made a point of not having Lou Bloom undergo a "character arc" because they felt he w [...] D
Based partially on the career of Arthur "Weegee" Fellig, the first photojournalist who was well-know [...] D
Although a sexual relationship is alluded to in a couple of conversations between Louis and Nina, th [...] D
Some filmmakers stay through the end credits to continue talking or to thank the people listed, but [...] D
The line "you have to make the money to buy a ticket" only appears once in the movie but Gyllenhaal [...] D
Dan wrote the part of news producer Nina Romina for Rene Russo who coincidentally enough is his wife [...] D
Lisa Remillard's debut. D
Dan's note to Gyllenhaal for the scene where Lou reveals his grand career plan to Nina was to do it [...] D
Rene Russo was in the movie Buddy (1997) with Alan Cummings who played the X-Men hero 'Nightcrawler' [...] D
The coyote theme became so strong that it was considered as an alternate title. D
They closed down ten blocks of Laurel Blvd for a few nights to capture the police chase. D
A fourth Gilroy appears at 1:08:30 when John's daughter Carolyn Gilroy appears as Nina's assistant J [...] D
When Rick is filling up Lou's car with gas, a poster for the Tom Hanks film Captain Phillips - Attac [...] D
When Louis (Jake Gyllenhaal) upgrades to the Dodge Challenger, Rick (Riz Ahmed) spills gas on the ne [...] D
Editor John Gilroy points out that the character of Louis Bloom (Gyllenhaal) is a lead with no back [...] D
Riz Ahmed's favorite movie role after Four Lions (2010). D
The music cues in the movie represent the music cues in Lou's head. D
To create Lou's gaunt appearance, Jake Gyllenhaal worked out for up to 8 hours a day and ran or cycl [...] D
Jake Gyllenhaal and Riz Ahmed rode along with actual "nightcrawlers" in Los Angeles to prepare for t [...] D
Apparently Riz Ahmed, who plays Rick, was unfamiliar with Bed Bath & Beyond and pronounces it oddly [...] D
Writer/Director Dan Gilroy came up with the idea for the film after he heard about a crime reporter [...] D
Body Count: 8 D
Like Michael Mann's Collateral (2004) ten years earlier, "Nightcrawler" was also shot both digitally [...] D
The billboard for eyeglasses that Lou passes is reminiscent of the eyes of Dr. T.J. Eckleburg in F. [...] D
The movie Jake Gyllenhaal is watching on his TV, when the knight's helmet is lobbed off, is Il giull [...] D
Jake Gyllenhaal and Michael Hyatt appeared in The Good Girl (2002) but didn't share any scenes toget [...] D
The shot of Lou on the studio's camera monitor sitting at the anchor desk was cinematographer Robert [...] D
The diner scene with the two shooters eating within saw competing opinions from the film's technical [...] D
The Raishbrook Brothers (the actual "stringers" Gyllenhaal and Ahmed trained with in preparation for [...] D
It was Tony Gilroys suggestion to have Rick point out while following the killers in the SUV that Lo [...] D
The plant that Lou waters in his apartment was originally a dog in the script. Both were meant solel [...] D
The red car Jake Gyllenhaal drives in the second half of the film is a 2014 Dodge Challenger SRT8. H [...] D
Dan Gilroy first meeting with Jake Gyllenhaal saw the actor ask the writer how he saw this character [...] D
The name of the first family whose house Lou enters without permission is Cahill, the same last name [...] D
They compare the news sequence where Lou's home invasion footage is broadcast with news anchor comme [...] D
Lou's interview with the detective after the police chase saw Gyllenhaal staying in character and ch [...] D
The film's climax was filmed on Laurel Canyon Blvd. in the San Fernando Valley, only several blocks [...] D
Paparazzi caught a photo of Gyllenhaal in his man-bun and the photo appeared in People magazine alon [...] D
This film is not related to the Marvel comics character Nightcrawler, who is a member of the X-Men. [...] D
In the movie Showtime with Robert De Niro and Eddie Murphy, René Russo was a Director on a "TMZ" [...] D
After the scene in which Lou shows the newsroom his Horror House footage, the broadcast director cut [...] D
The scene where Lou sells the fridge footage to Nina over Frank's (Kevin Rahm) sweater-vested object [...] D
Jake Gyllenhaal did most of his own driving scenes, including the climactic car chase at the end. D
During production Riz Ahmed and Jake Gyllenhaal would go without sleep and binge junk food to help s [...] D
They filmed the early newsroom scenes at Los Angeles' KTLA studios. "They were going to kick us out [...] D
The "burn" is the amount over budget you spend in a day, and they had a $40k burn the night they fil [...] D
The film was shot over 28 nights. D
During the scene where Jake Gyllenhaal screams at himself in the mirror, Gyllenhaal got so into this [...] D

Connessioni

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Errori

(at around 26 mins) During the interview in the café, the amount of ice in the glass jumps up and [...] D
Most scrapyards will flat-out refuse chain link fence scrap. It messes up the machinery they use to [...] D
When Lou goes to the home invasion the street has no parked cars on it but yet when he leaves the st [...] D
All television stations (especially during the day) are on total lock-down as they practice high sec [...] D
After a home invasion gone wrong or other major shooting, the perpetrators would not meet in a publi [...] D
When Lou gets yelled at by Nina at the TV station, the window on the right side of the screen, behin [...] D
When Lou goes to the home invasion the street has no parked cars on it but when he leaves the street [...] D
At the 1 hour 21 minute mark in the movie, while the protagonist is editing the Horror House footage [...] D
There is no chance a television station would run illegally obtained video of an unsecured crime sce [...] D
The paramedics would never transport an immobilized victim on their back with blood coming out of th [...] D
The camera does a full view around the red car as Lou is chasing the police cars. The V8 exhaust eng [...] D
At 49'28", Louis says "Do you remember that?" then in the reversed shot his mouth and jaw are moving [...] D
At the end of the final chase scene we see Lou spin the car around to face the overturned cars, as h [...] D
The stolen watch always appears to have a silver band, but the last time Lou is seen wearing it, the [...] D
Prior to the Detectives arriving at Lou's apartment, there is a street view. Note that his red car i [...] D
In the footage of the police shootout there is a lamp on the ground in the middle of the sidewalk. I [...] D
When Lou first approaches the "Horror House" in a closeup shot, a crew member is seen in the backgro [...] D
No News Director, particularly one at a major market station like Los Angeles, would be at the stati [...] D
The day after Lou first encounters a car accident, the newscast reports the crash as taking place on [...] D
For his "Nightmare in Echo Park" piece, Lou breaks into the house where the shooting took place and [...] D
When Lou and Rick are driving to the structure fire, they pass a series of buildings (most visibly a [...] D
At the home invasion-murder, he puts a hand print on the staircase and the wall just before leaving. [...] D
Throughout the film, when Lou is editing on his computer, you can see audio bars in the editing soft [...] D
Both the real LA television station (CBS 2) and the fictional station (Channel 6) using the same adv [...] D
After Louis calls in the suspects in the restaurant, the police scanner can be heard identifying the [...] D
When Lou tracks down the perpetrators of the home invasion, he uses a resource on the web to run the [...] D

Frase

Lou Bloom: The price hasn't been negotiated yet. D
Nina Romina: We find our viewers are more interest [...] D
Lou Bloom: Do you know Los Angeles? Rick: Yeah, g [...] D
Lou Bloom: [to wounded Rick] I can't jeopardize my [...] D
[Last Lines] Nina Romina: I think Lou is inspirin [...] D
Nina Romina: Home invasion in Granada. He got ther [...] D
Lou Bloom: Why you purse something is equally as i [...] D
Nina Romina: Friends don't pressure friends to sle [...] D
Rick: You gotta call the cops. Lou Bloom: And we [...] D
Detective Fronteiri: You filmed him dying. Lou Bl [...] D
Lou Bloom: I'm promoting you to executive Vice Pre [...] D
Detective Lieberman: Can we come in? Lou Bloom: D [...] D
Lou Bloom: My motto is if you want to win the lott [...] D
Lou Bloom: Get out of your head, Rick, it's a bad [...] D
Lou Bloom: Who am I? I'm a hard worker. I set high [...] D
Lou Bloom: I'm focusing on framing. A proper fra [...] D
Joe Loder: If it bleeds, it leads. D
Lou Bloom: You don't work with me, you're someone [...] D
Rick: You saw him. You saw him! Lou Bloom: I can' [...] D
Lou Bloom: What if my problem wasn't that I don't [...] D
[from trailer] Lou Bloom: [repeated line] You hav [...] D
Lou Bloom: Do you know what fear stands for? False [...] D
Nina Romina: In the future if you don't have anyth [...] D
Lou Bloom: Why you pursue something is as importan [...] D
Frank Kruse: This is my job. Nina Romina: Your jo [...] D
Lou Bloom: Why hire you? Sell yourself. Go. Rick: [...] D
Lou Bloom: Remember, use your zoom, steady hands. D
Lou Bloom: [to Nina] I want that with you... Like [...] D
Lou Bloom: Now I like you, Nina. And I look forwar [...] D
Lou Bloom: A friend is a gift you give yourself. D
Lou Bloom: I'm a hard worker. I set high goals, an [...] D
Lou Bloom: Bloody? Nina Romina: Well, graphic. Th [...] D
Lou Bloom: Making peace with what you don't have, [...] D
Rick: Hey man don't film that, he's one of us Lou [...] D
Lou Bloom: A friend is a gift you give yourself D
Rick: Slow down, man. [Lou speeds up] Rick: That [...] D
Lou Bloom: Stay in the car. Rick: Why? Lou Bloom [...] D
Lou Bloom: You see, Rick, they've done studies, an [...] D
Lou Bloom: I feel like grabbing you by your ears r [...] D
[last lines] Lou Bloom: Congratulations. Congratu [...] D
Lou Bloom: I like to say that if you're seeing me, [...] D
Lou Bloom: I won the Tour de Mexico on this bike. D

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