Plan 9 from Outer Space

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When Vampira attacks the two gravediggers in the cemetery, she arrives just a few seconds after she [...]	D
Seen in shadow when the cockpit is lit up by the flying saucer.	D
Paula runs out of her house barefoot, but after she is chased through the cemetery and is picked up [...]	D
When police officers Kelton and Larry rescue Paula from Inspector Clay, she tells Kelton, "Oh, I'll [...]	D
In the cemetery at night, the "bodies" of the two dead gravediggers are obvious mannequins, which d [...]	D
Both General Roberts and Colonel Edwards are "out of uniform." Neither one has the "U.S." insignia [...]	D
Obvious doubles during the fight between Eros and Trent in the spaceship--they are the wrong relati [...]	D
Ghoul Man is played by Bela Lugosi in some scenes and Tom Mason in others (see trivia entry). [...]	D
When Col. Edwards, Lt. Harper and Jeff Trent confront Eros and Tanna for the first time in the flyi [...]	D
Just before Colonel Edwards, Lieutenant Harper, and Jeff Trent confront Eros and Tanna in the flyin [...]	D
During the first briefing between Eros and "His Excellency", the latter stops talking mid-sentence [...]	D
Jeff describes the disc-shaped flying saucers as "cigar-shaped".	D
The Pentagon has a special computer to translate alien language. Although it's hard to catch, Eros [...]	D
All images of the spacecraft and the mother ship (?) indicate the vehicles are rounded, yet when th [...]	D
The scenes of the military attacking the flying saucers with artillery are obviously taken from sto [...]	D
In a couple of scenes, a police car is seen racing down the street with lights and siren. But the c [...]	D
Three flying saucers and one mother ship are shown, yet the humans win the battle after destroying [...]	D
As the camera moves back in the scene outside the house where Jeff tells Paula to lock the doors, y [...]	D
When Bela Lugosi walks off the screen, it's obviously a freeze frame-- the swaying tree suddenly fr [...]	D
The tombstones in the cemetery are too close together for there to be room for bodies.	D
Around 00:08:15, four mourners exit from a cemetery crypt the size of a phone booth. (Designed, per [...]	D
Just before Inspector Clay resurrects, and the dirt falls back into the open grave, you can see the [...]	D
The white wicker patio furniture moves itself from the patio to the bedroom.	D
The aliens are frustrated that the Earth people refuse to acknowledge their existence, yet go to ex [...]	D
The aerial shots of the saucer make it appear to be round, but shots from the ground show it as hav [...]	D
In the cockpit when the plane moves from side to side, the movements of the set and of the spotligh [...]	D
During the last scenes inside the ship the "Bendix Radio" name is visible on one of the pieces of e [...]	D
When Ghoul Man is walking through the cemetery in pursuit of Paula, he casts a shadow on the night [...]	D
During several scenes of police investigating the cemetery, the trees cast obvious shadows on the b [...]	D
The "grass" wrinkles and the "gravestones" flap in the wind and topple over.	D
Clearly visible lines holding the flying saucers.	D
Eros says: "A ray of sunlight is made up of many atoms!" Light is made up of photons, not atoms. [...]	D
When Jeff calls Paula from the plane to see if she's okay, a picture over the bed behind her change [...]	D
Three people who spot the saucers while in their car, point in three different directions.	D
The shot of the Ghoul Man walking down a path towards the cemetery is repeated many times during th [...]	D
From Eros' big speech (at 1 hour, 5 minutes, 53 seconds): "Then your scientists stumbled upon the a [...]	D
The controls in the cockpit are obviously fake.	D
In one scene two different screams come from Paula's mouth at the same time.	D
Day changes to night and back and forth in the same scene, many times. (Ignoring such changes is ke [...]	D
When Colonel Edwards has rocket launchers attack the flying saucers, the rockets just explode in mi [...]	D
When the stewardess enters the airplane cabin you can see light bleed around the cracks in the cabi [...]	D
When the Ghoul Woman attacks the two gravediggers, they are standing in broad daylight, but in the [...]	D
Stock footage of rocket launchers is used to show the attack on the flying saucers, which are up in [...]	D
A mole can be seen of Jeff's face in some scenes but not others.	D
Clay blinks when he is supposedly dead.	D
On the airplane, co-pilot Danny is talking to Burbank tower, when Danny sees a flying saucer. Burba [...]	D
"Scientific" equipment used as controls for the spaceship, used by Eros, is seen again at Space Sta [...]	D
One window inside the spaceship shows a cloudy afternoon sky. The window next to it shows darkness. [...]	D
The circular slide rule hanging on the wall in the flying saucer is the same one hanging on the bac [...]	D
The pilots in the cockpit seem to just be sitting on boxes, not proper chairs.	D
The 2 gravediggers hear a noise that is "sort of spooky-like" and decide to leave. They slowly star [...]	D
Criswell's opening narration (where he can be seen reading off of cue cards) begins: "Greetings, my [...]	D
In the cockpit scenes, the pilot sitting on the left is reading his lines from a script on his lap. [...]	D
After General Roberts and Colonel Edwards finish their briefing, they salute each other. Air Force [...]	D
Police officers are generally trained in how to properly handle firearms - yet in several scenes th [...]	D
The map on the wall of Gen. Roberts' office, which is supposed to be in the Pentagon, is clearly im [...]	D
While Kelton is in Clay's opened grave, the tombstone that fell in a few scenes earlier isn't there [...]	D
When the police cars set out for the graveyard, it is broad daylight. When they arrive, supposedly [...]	D
When the Pentagon brass are listening to Eros' manifesto, General Roberts' hands on the tape player [...]	D
At several points in the film, wrinkles and other blemishes can be seen in the simulated sky backdr [...]	D
The gravediggers apparently don't fill the graves we've seen before; they just throw earth behind t [...]	D
The mausoleum in which the old man is buried is obviously made of wood, and its door is crooked. [...]	D
When one of the spaceships leaves the space station, it casts a shadow on it as it flies by. [...]	D
When Ghoul Man is destroyed after attacking the people gathered on the patio behind the Trents' hom [...]	D
In the cockpit scene, the curtain separating the cockpit from the rest of the plane is rustled, and [...]	D
Someone's hand (either that of the stewardess or a crew member) from behind touches the shower curt [...]	D
A man at the old man's funeral says that it is "getting dark." It is already pitch black.	D
When the saucer flies across the cemetery in the beginning of the movie, actors knock over headston [...]	D
The stars on the general's left epaulet are spaced much wider than the right. They should be, pardo [...]	D
Eros begins his tirade (at 1 hour, 07 minutes, 11 seconds): "You see! You see! Your stupid minds! S [...]	D
The inside of Inspector Clay's grave has walls, not dirt.	D
Boom mic shadow is clearly visible at the top of the screen the first time the pilots encounter the [...]	D
When Kelton and the second police officer hit Inspector Clay on the head--knocking him unconscious- [...]	D
Inside the cockpit, the rim of the spotlight is visible for the duration of this and subsequent sho [...]	D
The female zombie flinches when Inspector Clay fires at her.	D
During the attack on the UFOs, the army officer with the binoculars casts a shadow on the "sky" bac [...]	D
When the stewardess is talking to the two pilots in the cockpit, the position of the clipboard she [...]	D
22 minutes into the film when the flying saucers are shown against a backdrop of stars, one of the [...]	D
The pilots fly a Douglas DC-6B or DC-7, but the cockpit shots never show the flight engineer, a thi [...]	D
A strong wind from the flying saucer's exhaust is enough to blow Jeff and Paula to the ground, but [...]	D
After the Ghoul Man is turned in to a bare skeleton by the "Decomposer Ray" (approx 55:25-30), meta [...]	D
The Old Man walks into the street and is heard to be hit by a car, but his shadow is still on the g [...]	D
Stock footage shows a completely different cemetery.	D
At around 36 minutes the round "slide rule" navigation cart in the alien ship is the same as the on [...]	D
In the films opening, after the mourners leave the open grave, the gravediggers approach and begin [...]	D
Tanna barely restrains genuine laughter during Eros' "Stupid! Stupid!" tirade.	D
It is said that the Pentagon is in Washington, DC. It's really in Arlington, VA, but is so linked t [...]	D
Inside the flying saucer, Eros turns on a televisor which shows Inspector Clay carrying Paula Trent [...]	D
The exploding rockets are clearly firecrackers set off in front of a backdrop.	D
General Roberts says that the alien radio messages are garbled because "atmospheric conditions in o [...]	D
Paula runs past the same spot on the cemetery seven times while being chased by "The Ghoul Man". "T [...]	D
None of the public that spot the flying saucers seem to be in much dismay or panic, and act very na [...]	D
Colonel Edwards had three rows of service ribbons when he was briefed by General Roberts. The upper [...]	D
The inside door of the small saucer is the same as the outside door (there is the same ladder on th [...]	D
Eros forces the heroes to look out the window of the spaceship to see Inspector Clay. One window sh [...]	D
When The Ghoul Man walks into Paula's bedroom, one of the pictures above her bed changes.	D
In one scene someone trips over a tombstone and causes it to wobble.	D
Colonel Edwards is in charge of a government division created specifically for dealing with flying [...]	D
The pilot sitting on the left in the cockpit scenes calls the air traffic control tower using an Ar [...]	D
The outdoor location, where the gravedigger scenes were shot, has no tombstones, crypts, or mausole [...]	D
Dan Clay is called "Inspector". Although San Francisco and a few other cities use the title "Inspec [...]	D
When the police leave the station house to go to the graveyard, it is night and they pile into a bl [...]	D

Frase

Tanna: What do you think will be the next obstac [...]	D
Air Force Captain: Visits? That would indicate v [...]	D
Paula Trent: [to her hubby] Now toddle off and f [...]	D
Colonel Tom Edwards: [Tom Mason has just been tu [...]	D
Lieutenant John Harper: But one thing's sure. In [...]	D
Colonel Tom Edwards: ...Why, a particle of sunli [...]	D
Danny: How about that Albuquerque ball? Edith: [...]	D
Paula Trent: Now, off to your wild blue yonders. [...]	D
General Roberts: You ever been to Hollywood? [...]	D
Eros: You know, it's an interesting thing when y [...]	D
Patrolman Kelton: ...From all I've seen tonight, [...]	D
Colonel Tom Edwards: You speak of Solaranite. Bu [...]	D
Eros: Send the Big One for the girl.	D
Eros: The Earth people who can think are so frig [...]	D
Lieutenant John Harper: I'll bet my bige right n [...]	D
Lieutenant John Harper: She was frightened and i [...]	D
Paula Trent: I've never seen you in this mood be [...]	D
Colonel Tom Edwards: For a time we tried to cont [...]	D
Colonel Tom Edwards: What do they want? Where ar [...]	D
General Roberts: I understand, Colonel, you've b [...]	D
Criswell: [narrating] At the funeral of the old [...]	D
Patrolman Larry: Strange. If someone had broken [...]	D
[first lines] Criswell: Greetings, my friend. W [...]	D
Paula Trent: Don't worry about me. Jeff Trent: [...]	D
Lieutenant John Harper: It was a saucer. Patrol [...]	D
Danny: Hey, Edie, how about you and me ballin' i [...]	D
Criswell: [narrating] ... The grief from his wif [...]	D
Criswell: The army convoy moved into the field. [...]	D
[last lines] Criswell: My friend, you have seen [...]	D
The Ruler: This gives me a plan. Put the Big One [...]	D
Patrolman Larry: [in the cemetery, at night] Wha [...]	D
General Roberts: I - like you, Colonel. Colonel [...]	D
Criswell: There comes a time in each man's life, [...]	D
Jeff Trent: I'm muzzled by army brass!	D
Jeff Trent: You fiend. Eros: I, a fiend? I am a [...]	D
Lieutenant John Harper: Got your guns ready? Je [...]	D
Eros: This is Eros - a space soldier from a plan [...]	D
Criswell: My friend, you have seen this incident [...]	D
Criswell: Perhaps, on your way home, someone wil [...]	D
Eros: It's because of men like you that all must [...]	D
The Ruler: Eros. The Earth people are getting cl [...]	D
Jeff Trent: Oh, it burns me up! These things hav [...]	D
Eros: We do not want to conquer your planet. Onl [...]	D
Colonel Tom Edwards: This is the most fantastic [...]	D
Inspector Clay: [looking at the two dead gravedi [...]	D
Jeff Trent: Ah, what's the use of makin' a fuss. [...]	D
Lieutenant John Harper: Modern women. Colonel T [...]	D
The Ruler: The plan is far from successful.	D
Gravedigger: You hear anything? Gravedigger: Th [...]	D
Criswell: [narrating] ... All of us on this eart [...]	D
General Roberts: You're the best man for the job [...]	D
Eros: [tape recording of a message from outer sp [...]	D
Lieutenant John Harper: Well, let's go down ther [...]	D
Eros: You do not need guns. Lieutenant John Har [...]	D
Eros: Shall we talk now, or wait? Your friends w [...]	D
Soldier: Quite a sight, wasn't it, sir? Colonel [...]	D
Tanna: Eros, do we have to kill them? Eros: Y [...]	D
Jeff Trent: I saw a flying saucer. Paula Trent: [...]	D
Patrolman Larry: [talking about a flying saucer] [...]	D
General Roberts: [the General is explaining why [...]	D
Lieutenant John Harper: [Calling out to Kelton, [...]	D
Colonel Tom Edwards: Flying saucers, Captain, ar [...]	D
Edith: What in the world... Danny: That's nothi [...]	D
The Ruler: What Plan will you follow now? Eros: [...]	D
Colonel Tom Edwards: Why is it so important that [...]	D

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Plan 9 from Outer Space

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