Il disprezzo

Titolo originale: Le Mépris
Regia: Jean-Luc Godard |
Anno: 1963
Origine: France | Italy |
Generi: Dramma Romance
Tag: jealousy | based on novel or book | villa | love triangle | italy | movie business | capri | screenwriter | car crash | divorce |
Cast: Brigitte Bardot | Michel Piccoli | Jack Palance | Giorgia Moll | Fritz Lang | Raoul Coutard | Jean-Luc Godard | Linda Veras |

Paul Javal, uno scrittore di gialli, viene chiamato da un produttore americano, Prokosch, per sceneggiare un film sull’Odissea che dovrebbe essere diretto da Fritz Lang. Il produttore corteggia apertamente Camille, la giovane moglie dello scrittore. Questo provoca la rottura definitiva fra i due sposi. Camille, nel tornare a Roma in compagnia del produttore, però, muore miseramente in un incidente a bordo dell’auto del produttore.

Approfondimenti

This marks the only time that Jean-Luc Godard worked with American backers. D
Jean-Luc Godard called the film "the story of castaways of the Western world... who one day reach a [...] D
The handwritten manuscript of "Le Mépris" was sold 29th May 2013 by Artcurial in Paris for 144,30 [...] D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. D
Contrary to the myth that Jean-Luc Godard makes films without a screenplay, there was a script for I [...] D
Jean-Luc Godard was actively seeking out a film project he could do with Brigitte Bardot when he cam [...] D
Jean-Luc Godard was very dismissive of the source material - Alberto Moravia's novel 'Il Disprezzo' [...] D
Michel Piccoli replaced Raf Vallone, who was stuck filming Otto Preminger's Il cardinale (1963). D
Prokosch's luxurious red car is an Alfa Romeo 2600 Spider, a high-end model launched in 1961. Alfa R [...] D
Producer Joseph E. Levine insisted on the Brigitte Bardot nude scene that opens the film, realizing [...] D
Fritz Lang was 73 when he made the film. One of the reasons why he hadn't directed in some years - h [...] D
In the audio commentary for Taxi Driver (1976), Martin Scorsese stated that this is his favorite Jea [...] D
Ranked number 60 non-English-speaking film in the critics' poll conducted by the BBC in 2018. D
Jean-Luc Godard had been curious about making a big budget production. This film more than satisfied [...] D
The villa used as one of the film's locations belonged to the Italian author Curzio Malaparte. D
Between 1959 and 1967, Jean-Luc Godard made 15 movies, of which Il disprezzo (1963) was the sixth. D
The seventh most successful film in 1963 at the French box office; a disappointment for Brigitte Bar [...] D
Jeremy's unusual house on the island of Capri is the famous Casa Malaparte. The house was conceived [...] D
The noticeable color palette of the film - red, white and blue - represents both the French and the [...] D
The argument which takes place between Paul (Michel Piccoli) and his wife Camille (Brigitte Bardot) [...] D
This film is part of the Criterion Collection, spine #171. D
Originally, Jean-Luc Godard wanted to have Kim Novak and Frank Sinatra as the two leads, but both ac [...] D
Jean-Luc Godard was forced into shooting in CinemaScope. D
Filming was frequently interrupted by chasing off members of the paparazzi who were desperate to tak [...] D

Connessioni

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Frase

Paul Javal: After dinner we'll see a movie. It'll [...] D
Lang's Assistant Director: [Final line] Silenzio. D
Fritz Lang: It's logical and the illogical borrows [...] D
Camille Javal: I've noticed that the more we doubt [...] D
Paul Javal: [Reading from an art book on Ancient P [...] D
Fritz Lang: "Each morning, to earn my bread, I go [...] D
Fritz Lang: "Think of the seed of your creation. Y [...] D
Paul Javal: Why does money matter so much in what [...] D
Paul Javal: You're being an idiot. Camille Javal: [...] D
Jerry Prokosch: To know that one does not know, is [...] D
Jerry Prokosch: [trying to impress the girl by spe [...] D
Paul Javal: Don't come if you don't want to. I'm n [...] D
Paul Javal: I'd like you to meet my wife, Camille. [...] D
Jerry Prokosch: I want you to write some new scene [...] D
Paul Javal: Why don't you want to make love anymor [...] D
Paul Javal: Ulysses doesn't rush home to Ithaca, b [...] D
Paul Javal: Why'd I marry a 28-year-old typist? D
Camille Javal: I won't say no, but I won't say yes [...] D
Paul Javal: Will they undress? Francesca Vanini: [...] D
Francesca Vanini: Mr. Prokoscha already said it: Y [...] D
Paul Javal: "Rio Bravo" is playing in town. So is [...] D
Paul Javal: You don't want to make love? Camille [...] D
Camille Javal: We used to live in a cloud of unawa [...] D
Paul Javal: What shot are you doing? Fritz Lang: [...] D
Francesca Vanini: [Translating Lang's German] "But [...] D
Jerry Prokosch: I like gods. I like them very much [...] D
Paul Javal: I'll tell you the story of Ramakrishna [...] D
Jerry Prokosch: Why don't you say something? Cami [...] D
Paul Javal: What's going on, sweetie? Camille Jav [...] D
Camille Javal: See my feet in the mirror? Paul Ja [...] D
Jerry Prokosch: I don't believe in modesty. I beli [...] D
Paul Javal: In '33, Goebbels asked Lang to head th [...] D
Fritz Lang: What will you do? Paul Javal: Go back [...] D
Paul Javal: A husband has the right to know why hi [...] D
Camille Javal: Look. Look. [Wearing a wig] Camil [...] D
Fritz Lang: Producers are something I can easily d [...] D
Camille Javal: You like my shoulders? Paul Javal: [...] D
Paul Javal: It looks swell. I really like CinemaSc [...] D
Paul Javal: Producers never know what they want. D
Camille Javal: I'm the same as always. You're the [...] D
[after viewing film shot by Fritz Lang] Jerry Pro [...] D
Camille Javal: [voice-over] I've noticed the more [...] D
Jerry Prokosch: "The Odyssey" needs a German direc [...] D
Jerry Prokosch: A wise man does not oppress others [...] D
Jerry Prokosch: Whenever I hear the word "culture, [...] D
Camille Javal: [Reading from a book on "Lang"] "Ma [...] D
Paul Javal: It's a drag to be so cute and so sad. [...] D
Camille Javal: I despise you! That's really what I [...] D
Camille Javal: If you love me, just be quiet. D
Paul Javal: Why the thoughtful air? Camille Javal [...] D
Camille Javal: [Reading from a book on "Lang"] "Th [...] D
Fritz Lang: One must suffer. Paul Javal: That's f [...] D
Fritz Lang: Homer's world is a real world. And the [...] D
Narrator: "The cinema," said André Bazin, "subs [...] D

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