L'alibi di Satana

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Approfondimenti

The radio that is shown in a few scenes is a Hallicrafters Model SX-42 and "represents a peak of pos [...]	D
Wendie Lee's debut.	D
There is an apparent in-joke when Hurd Hatfield compares Joan Caulfield's Mathilda character to her [...]	D
The plane Matilda returns on is a 1946 Pan Am Lockheed L-049 "Constellation", registration NC88856, [...]	D
The locomotive shown roaring out of the tunnel near the beginning of the film is a Southern Pacific [...]	D
This film's earliest documented telecasts took place in Cincinnati OH Thursday 2 August 1956 on WKRC [...]	D
Film debut of Fred Clark.	D
In an article in the 10 October 1946 edition of the New York Times, Humphrey Bogart was to have star [...]	D
Audrey Totter was borrowed from MGM for this picture.	D
The novel upon which this film is based was first published in serial form in The Saturday Evening P [...]	D
Joan Caulfield was borrowed from Paramount and Audrey Totter was borrowed from MGM for this film.	D
The radio station call letters, WMCB, were created by inserting Michael Curtiz's initials into those [...]	D
According to TCM's Eddie Muller, Michael Curtiz had wanted to cast Orson Welles in the role of Victo [...]	D
At the Police lab, two bullets are compared under a duel microscope for rifling marks, and a closeup [...]	D
The final career roles and screen appearances for Joan Caulfield and Audrey Totter both occurred in [...]	D
Franz Waxman is the credited composer of the very effective score, en route to winning two consecuti [...]	D
Final film of Eleanor Counts.	D
Grandison's character was based on the flamboyant radio star Alexander Woollcott.	D
This was Michael North's final role. After this film, he became an agent. Among his clients were Red [...]	D
In a 15 November 1946 article in the New York Times, Eve Arden was slated for a role in this film - [...]	D
First production in a 14 picture deal between director Michael Curtiz's new production company and W [...]	D

Connessioni

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Domande

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Errori

The murderer does not destroy the clue that proves that he committed the murder, even though he has [...]	D
At the beginning of the film, Althea (Audrey Totter) is shown removing the pay phone receiver from h [...]	D
When Steve Edwards shows up for the first time at the front door of Grandison's home, the cameraman [...]	D
At about 7 minutes in, 3 envelopes addressed to Grandison are shown on his desk. On the third, the n [...]	D
A character arrives at the party, and the door is opened by the manservant; the door closes, and the [...]	D
Grandison tells Steve and Matilda that Oliver has run away after firing the gunshot they have just h [...]	D
As in so many run-away, car-without-brakes scenes of the 1930's & 1940's every driver "forgets" that [...]	D
At the party, when Althea holds the match out to light Steven's cigarette she is away from him and f [...]	D
Donovan gives Howard's birthday as April 12, 1913, but his driver's license has 1-12-1922.	D
During Oliver Keane's accident scene, he is seen driving a gray car at first, but when he skids off [...]	D
When Grandison pours the glasses of champagne, one of which is poisoned, bubbles do not appear in ei [...]	D
Grandison leaves the "suicide" not and spilled pill bottle on the coffee table - and the bottom of t [...]	D
Spoilers Steven Howard figures out that Victor played a recording of his radio broadcast that allo [...]	D
To compare the grooves in the bullets made by a gun, the point of the bullet is stuck in the clay, n [...]	D
The radio station studio microphone shows periods after each of the initials, WMCB. Actual radio sta [...]	D
Spoilers When Mr. Press puts the trunk containing Steven Howard into the back of his pickup truck, [...]	D
The position of the hotel's sign outside the window changes between shots. From the outside, the let [...]	D

Frase

Althea Keane: [Steven Howard, looking at a paintin [...]	D
Victor Grandison: [to Press] Don't come here again [...]	D
Victor Grandison: You know, it's a sort of throbbi [...]	D
Althea Keane: [noticing Steve's interest in the po [...]	D
Victor Grandison: [Gazing out of window] It's much [...]	D
Althea Keane: [Remarking about Mathilda] If that's [...]	D
Victor Grandison: [to Max] Only thieves and home-g [...]	D
Althea Keane: [sarcastically to Mathilda] You look [...]	D
Victor Grandison: The nicest thing about guests is [...]	D
Jane Moynihan: After slaving all day over a hot ty [...]	D
Victor Grandison: [Noticing Steve for the first ti [...]	D
Oliver Keane: I'm sitting in the dark, counting my [...]	D
Althea Keane: [sarcastically to Mathilda] May I su [...]	D
Althea Keane: Victor's the only man who can turn m [...]	D
Victor Grandison: [after listening to Steve's stor [...]	D
Victor Grandison: [to an arguing Althea and Oliver [...]	D
Steven Francis Howard: You don't look like you cou [...]	D
Steven Francis Howard: Quite a large party, isn't [...]	D
Victor Grandison: His day of reckoning must come. [...]	D

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L'alibi di Satana

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