L'inglese

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Approfondimenti

Lem Dobbs and Steven Soderbergh agree mistakes in films can work. A single shot of Peter Fonda that [...]	D
Luis GuzmÃ¡n's character is prominently seen wearing a t-shirt of Che Guevara. Director Steven Sod [...]	D
Steven Soderbergh mentions his desire to find the right structuring of a film during editing. He bel [...]	D
Steven Soderbergh wasn't completely sold on Peter Fonda the first time Lem Dobbs mentioned him for t [...]	D
Lem Dobbs tells how any screenplay could have been picked up and done completely different by anothe [...]	D
The original screenplay envisioned the main character would be played by Michael Caine.	D
Lem Dobbs discusses indie film and how it seems like the industry's attempt at doing something artis [...]	D
"Now why didn't Amelia Heinle notice that big gap at the top of the stairs with the missing picture? [...]	D
During filming, Steven Soderbergh was unsure exactly which scenes from Poor Cow (1967) he wanted to [...]	D
Wilson calls Roel "Fangio" during the car chase. Juan Manuel Fangio was a five-time Formula One Worl [...]	D
Like the introduction to Peter Fonda's character, Terry Valentine, the first 60 seconds of the movie [...]	D
Throughout the movie Ed, Luis GuzmÃ¡n is seen wearing shirts with famous political figures on them [...]	D
"I've always thought one of the great cliches of film making that you hear people say constantly tha [...]	D
On the commentary, Steven Soderbergh brings up the French and British New Wave films of the '60s and [...]	D
One of two 1999 releases to use the track "The Seeker" by The Who, with the other film being America [...]	D
The first song heard in L'inglese (1999) is "The Seeker" by The Who. During the 1960s one of The Who [...]	D
Barry Newman states on the commentary track that a line was cut making clear that Avery deliberately [...]	D
Steven Soderbergh mentions he thinks "this one turned out better than the first one". He's referring [...]	D
It was scripted for the camera to stay outside the warehouse when Wilson goes back in with his gun. [...]	D
According to an interview with Peter Fonda, his betrayal of the character Terry Valentine was modele [...]	D
Steven Soderbergh: [company named "Perennial"] The courier company that Terence Stamp's character vi [...]	D
Lem Dobbs talks of the newspapers that printed images of British boxer Henry Cooper the day after he [...]	D
The musical cue during the car chase contains a sample of the drum track from the song Squib Cakes b [...]	D
In the flashback which is really from the movie Poor Cow, when Terence Stamp is being sentenced in c [...]	D
Steven Soderbergh always appreciated non-linear storytelling. He remembers being introduced to it as [...]	D
Stacy mentions that he'd like to see a TV show about the lives of ordinary people, such as "extras - [...]	D
Over the end credits on the commentary, Lem Dobbs notes how he is surprised that the entire song fro [...]	D
The scene where Terrence Stamp gets the gun was originally set at a gun show. Lem Dobbs notes they t [...]	D
Ann-Margret shot scenes with Peter Fonda, as his ex-wife. These scenes were not used in the complete [...]	D
Steven Soderbergh feels he cut the film to play to its strengths, how that's all a director can do o [...]	D
Poor Cow, in which selections were taken of a young Terence Stamp, actually stars the actress who, i [...]	D
Steven Soderbergh points out how noticeably brighter it is outside than it is inside in the early sc [...]	D
Steven Soderbergh points out how distinctive Terrence Stamp's gait is, how the actor kind of lopes a [...]	D
Steven Soderbergh mentions how quickly the production was, nine months from initial meetings at Arti [...]	D
On the commentary, Lem Dobbs asks Steven Soderbergh about casting. The writer remembers talking with [...]	D
On the commentary, Lem Dobbs digs into something Steven Soderbergh cut from the screenplay that woul [...]	D
Terence Stamp's character name in Poor Cow (1967) was Dave, not Dave Wilson as many critics and even [...]	D
The relationship between Wilson and Ed echoes the relationship between the literary characters of Do [...]	D
Lem Dobbs refers to screenwriting as a "hopeless profession". He says both Robert Town and Alain Rob [...]	D
Peter Fonda is shown watching a television program featuring George Clooney. Clooney was in director [...]	D
Early in the production, Steven Soderbergh told Barry Newman, who plays Valentine's security consult [...]	D
The last scene, which was from Poor Cow showing a young Terence Stamp singing the Donovan song "Colo [...]	D
Every time Steven Soderbergh showed a version of his film to Lem Dobbs, the screenwriter told the di [...]	D
Steven Soderbergh claimed that had the film been a success, Wilson's last lines of dialogue to the p [...]	D
One of the subtexts Lem Dobbs was going for with the film was the working class going up against cap [...]	D
On the commentary Steven Soderbergh and Lem Dobbs discuss the Cockney rhyming. Dobbs notes he only h [...]	D
Footage from the 1967 film Poor Cow (1967) (Ken Loach's directorial debut) is featured as flashbacks [...]	D
"When you have somebody like Terence it really does help, because you fill in a lot. He just has thi [...]	D
Steven Soderbergh is not bothered by bad reviews. He says as much after Lem Dobbs mentions his films [...]	D
The lack of detail for many of the characters is Lem Dobbs' main bone of contention with what Steven [...]	D
Valentine's line "I learned how to skate when I was a little boy" was an ad-lib from Peter Fonda. Ri [...]	D
Steven Soderbergh and Lem Dobbs agree on how much they like that the film is mostly about older char [...]	D
Luis Guzman's character Ed works in a kitchen. Guzman also played a character working in a kitchen i [...]	D
"This is an example of screenwriting and what happens to screenwriters," says Lem Dobbs before notin [...]	D
The story Valentine tells his girlfriend, Adhara, about hitting a deer is a true story in Peter Fond [...]	D
Lem Dobbs notes how much he hates the little scene between Valentine's men where they're talking abo [...]	D
Peter Fonda and Barry Newman were both stars (and riders/drivers) of iconic road movies of the count [...]	D
"For all the complaining I've done thus far, it's nothing compared to the complaining I'm about to d [...]	D

Connessioni

Siskel & Ebert & the Movies: Instinct/The Loss of Sexual Innocence/Limbo	D
Stars of the Silver Screen: Terence Stamp	D
The Cinema Snob: Gotti	D
Access Hollywood	D
Lungo la valle delle bambole	D
Senza un attimo di tregua	D
Siskel & Ebert & the Movies: Fight Club/The Straight Story/Julien Donkey-Boy/The Story of Us	D
The Nostalgia Critic: Thomas and the Magic Railroad	D
Siskel & Ebert & the Movies: Superstar/Random Hearts/Boys Don't Cry/The Limey/Romance	D
Siskel & Ebert & the Movies: Cast Away/What Women Want/Finding Forrester/Traffic/All the Pretty Horses/Before Night Falls	D
E.R. - Medici in prima linea	D
Los Angeles Plays Itself	D
Carter	D
Poor Cow	D
Adjust Your Tracking	D
Film Geek	D
Il Saturday Night Live: Jerrod Carmichael/Gunna	D
Edge Codes.com: The Art of Motion Picture Editing	D
Punto zero	D
Austin Powers in Goldmember	D
Castle: The Limey	D
Discovering Film: Terence Stamp	D
Message from the King	D
Tau's random film reviews: The Limey (1999)	D
Easy Rider	D

Domande

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Errori

When Wilson and Elaine return to her apartment after she finishes work on the film set, in the first [...]	D

Frase

Terry Valentine: Did you ever dream about a place [...]	D
Wilson: [looking at view] Wow! Ed: Yeah, if you c [...]	D
Stacy: I'd tell you to blow it out your ass, but m [...]	D
Wilson: Bring the motor round Wilson: Bring it to [...]	D
Stacy: Why don't they make shows about people's da [...]	D
Wilson: You tell him, you tell him I'm coming. Tel [...]	D
Stacy: What's the smartest thing that ever came ou [...]	D
Head DEA Agent: There's one thing I don't understa [...]	D
Wilson: Eddy... yeah, he's me new "china". Elaine [...]	D
Wilson: I'm looking for a different kind of satisf [...]	D
Wilson: Can't be too careful nowadays, y'know? Lot [...]	D
Jim Avery: What keeps you so lucky? Terry Valenti [...]	D
Wilson: How you doin' then? All right, are you? No [...]	D
Wilson: Bide your time and everything becomes clea [...]	D
[Wilson and Ed are standing by Valentine's pool] [...]	D
Ed: If you could afford a place like this, you'd b [...]	D
Uncle John: How much? Stacy: Five grand. Uncle J [...]	D
Wilson: How you doin' then? All right, are you? No [...]	D
Excited Guy: [speaking to Valentine] That first Ch [...]	D
Wilson: Tell me!... Tell me what happened to Jenny [...]	D
Wilson: I'm gonna 'ave a "butcher's" round the hou [...]	D
Ed: Do you understand half the shit he says? Elai [...]	D
Head DEA Agent: You're not from around here, are y [...]	D

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