Un lupo mannaro americano a Londra

Titolo originale: An American Werewolf in London
Regia: John Landis |
Anno: 1981
Origine: United Kingdom | United States of America |
Generi: Commedia Horror
Tag: dying and death | london, england | intensive care | nurse | loss of loved one | zoo | transformation | affectation | full moon | black humor | london underground | yorkshire | rural area | werewolf | creature | moor (terrain) | british pub | dream sequence | macabre | angry | hikers | aggressive | malicious | playful | london zoo | practical special effects | provocative | absurd | incredulous | hilarious | admiring | adoring | ambiguous | ambivalent | amused | baffled | defiant | foreboding | horrified |
Cast: David Naughton | Jenny Agutter | Griffin Dunne | John Woodvine | Don McKillop | Brian Glover | David Schofield | Lila Kaye | Rik Mayall | Sean Baker | Frank Oz | Paul Kember | Joe Belcher | Paddy Ryan | Anne-Marie Davies | Colin Fernandes | Albert Moses | Michele Brisigotti | Mark Fisher | Gordon Sterne | Paula Jacobs | Claudine Bowyer | Johanna Crayden | Nina Carter | Geoffrey Burridge | Brenda Cavendish | Christopher Scoular | Mary Tempest | Cynthia Powell | Sydney Bromley | Frank Singuineau | Will Leighton | Michael Carter | Elizabeth Bradley | Rufus Deakin | Lesley Ward | George Hilsdon | Gerry Lewis | Dennis Fraser | Alan Ford | Peter Ellis | Denise Stephens | Christine Hargreaves | Lucien Morgan | Dave Cooper | Susan Spencer | Bob Babenia | Ken Sicklen | John Salthouse | John Altman | Keith Hodiak | John Owens | Roger Rowland | Linzi Drew | John Cannon | George Oliver | John Landis | Simon van Collem | James Payne |

Due giovani studenti americani, Jack e David, in viaggio in Inghilterra, si ritrovano una sera di plenilunio in piena brughiera. Un lupo sbrana Jack e ferisce David, che viene ricoverato nell'ospedale in cui lavora Alex, infermiera che lo accudisce e del quale si invaghisce. David sembra riprendersi ma ha continue visioni di Jack, il quale cerca di convicerlo invano del fatto che le ferite subite lo hanno trasformato in un lupo mannaro, e che se non prenderà provvedimenti entro il prossimo plenilunio avverrà un massacro. David, noncurante, passa le giornate con l'infermiera fino alla sera di luna piena. All'indomani si risveglia nudo in uno zoo, tutto gli appare tragicamente chiaro, e da quel momento cerca di uccidersi. Ma sarà la polizia, al plenilunio seguente, a mettere fine al dramma.

Approfondimenti

Humphrey Bogart can be seen in two posters in Alex's apartment. There is one for Casablanca (1942) o [...] D
One of the several films in which a character and the actor or actress who portrays him or her share [...] D
Griffin Dunne stated in 2007 that his biggest fear was that his mother, who was ill at the time, wou [...] D
In this film, Unico indizio la luna piena (1985) and Cursed - Il maleficio (2005), characters who've [...] D
Michael Jackson was so bowled over by this movie, most especially by the the make-up and visual effe [...] D
Universal Studios' Halloween event in Orlando Florida, "Halloween Horror Nights" had a walk through [...] D
Jenny Agutter, John Woodvine, and David Schofield went on to rejoin John Landis for Ladri di cadaver [...] D
It took days to film the love scene. D
The cat on the window ledge was prompted to hiss at David by holding up another cat towards its face [...] D
For Griffin Dunne's death scene and other death scenes, John Landis kept saying "More blood!" D
Rick Baker performed the action of the werewolf biting off Inspector Villier's head, in the movie, w [...] D
In the subway scene, just as the chase between man and beast commences, posters for L'aereo più p [...] D
David Naughton revealed that the hospital bed in the forest scene was the most difficult and painful [...] D
David Naughton improvised the line, "I haven't felt this good in a long time. My body feels great.I [...] D
The London Underground station used in the film is Tottenham Court Road, and the name sign is visibl [...] D
David Naughton was very cranky during the rain sequence singing Santa Lucia as it was "freezing cold [...] D
The 'Change-o-Parts', based on a cast of David Naughton's body, included the head, hands, legs, and [...] D
The werewolf howl that was used for the film was a combination of a wolf and an elephant. Producer G [...] D
The reason Landis filmed in sequence was not done for the benefit of the actors to ease them into th [...] D
When trying to call home, David Kessler gives the operator the phone number 516-472-3402. The area c [...] D
When the werewolf is stalking Jack and David on the moors, Jack says, "It's circling us." The moment [...] D
Brian Glover and Rik Mayall, whose characters play chess with each other in the pub at the beginning [...] D
Even though David and Jack are supposed to be college students at N.Y.U., in real life, David Naught [...] D
The reason why John Landis chose London as the setting was because "London was horror central, of co [...] D
Both David Naughton and Griffin Dunne recall audiences being confused by the post-attack scene where [...] D
When the transformation begins, David snaps in sudden pain, and after undressing due to the burning [...] D
Kermit and Miss Piggy watch a Punch and Judy show. Miss Piggy thinks it's too violent, but Kermit de [...] D
David Kessler (David Naughton) spends 50 percent of the movie nude. D
The werewolf attack scene at the beginning was filmed in a London Park around Buckingham Palace. D
John Landis shot the porn film within the film. "When I was working [in London] in the 1970s, I went [...] D
The rifles that the police shoot and kill the werewolf with at the end of the film is the L1A1 self- [...] D
When the barmaid insists to the men in the pub they should go after Jack and David, the chess player [...] D
David Naughton and Griffin Dunne wondered why John Landis never used Warren Zevon's "Werewolves of L [...] D
The picture was released during an early-mid-1980s cycle of werewolf movies. These included Wolfen - [...] D
The transformation scene where David falls on all fours, his back mutates, showing bones cracking an [...] D
Jenny Agutter said in 2015 that she almost turned down the role because she wasn't keen on horror fi [...] D
Michael Beck was considered for the part of David Kessler after John Landis had seen him in I guerri [...] D
Griffin Dunne said that wearing the makeup was like being "eaten by bugs" and once he finished filmi [...] D
John Landis wrote the screenplay for this film following an incident while shooting I guerrieri (197 [...] D
Griffin Dunne revealed in a 2017 interview that, "Nobody ever broke character; nobody ever came up a [...] D
David Naughton recalled the zoo scene, "As for running naked around London Zoo, in the scene where I [...] D
At one point David screams, "I'm a fuckin' werewolf, for God's sake!" For television, David Naughton [...] D
The moors were filmed around the Black Mountains in Wales. D
Both David Naughton and Griffin Dunne recall telling director John Landis that the lack of silver bu [...] D
When his character tries to get arrested, David Naughton spoke about how "bobbies" (police officers) [...] D
Cranberry jam was used as blood for filming. D
Griffin Dunne and David Naughton improvised saying goodbye to the sheep at the beginning. D
Much of the British cast, including John Woodvine playing the role of Dr. Hirsch, was also appearing [...] D
Three insert heads were also built: a hero animatronic head with complete cable-controlled functions [...] D
The scene when the werewolf runs riot in Piccadilly Circus was filmed at a busy intersection, where [...] D
The episode of Muppet Show (1976) playing on the television during David's nightmare sequence is Mup [...] D
Griffin Dunne recalled stopping to use the facilities in the sole trailer with a restroom only to be [...] D
When asked what his favorite memory of the film was, David Naughton revealed, "I'd been in London as [...] D
Griffin Dunne was unfamiliar with press junkets and such before this film, and he recalls going to t [...] D
The scene where Alex is attacked through the hospital room window in David's dream-within-a-dream be [...] D
It's never outright stated that David and Jack are Jewish, but they have Ashkenazi-sounding names an [...] D
One of two werewolf films to win the Academy Award for Best Make-up. Rick Baker won both times, the [...] D
Peter Ellis, who played the "Bobby in Trafalgar Square", went on to star in the British television s [...] D
David Naughton, then known as Dr. Pepper's star of the "I'm A Pepper" commercials, was let go by Dr. [...] D
David Naughton ad-libbed the line; 'Its a cold and wet out here.' D
The woman who David runs into at the zoo was not told that David Naughton would be nude, but she was [...] D
In 1997, the movie was re-recorded as a radio drama by Audio Movies Limited for BBC Radio 1 in Brita [...] D
John Landis wanted bad weather for his movie, so he purposely shot the movie in February and March. [...] D
The horror community considers this movie to be a masterpiece, although, renowned movie critics Gene [...] D
In its earliest incarnation, John Landis had wanted Donald Sutherland for his lead. Landis had worke [...] D
After the back changes, David's transforming body was represented by a fake foam rubber torso, used [...] D
The head of the Werewolf was also designed to implement several features at specific angles. "It's a [...] D
Griffin Dunne said about Rick Baker's make-up process: "He made the six hours bearable. The make-up' [...] D
The final look of the werewolf was based on make-up creator Rick Baker's Keish hound or keeshond, "w [...] D
The transformation scene ends with an immature Werewolf form, dubbed the 'man-beast' by the crew. Sc [...] D
When Rick Baker first met David Naughton he said to him "I feel very sorry for you" due to the very [...] D
"East Proctor" is, in reality, the tiny village of Crickadarn, and the "Slaughtered Lamb" pub is act [...] D
John Landis has reported that when he was approving a high-definition transfer of the film for DVD i [...] D
Financiers believed that Landis' script was too frightening to be a comedy and too funny to be a hor [...] D
This is John Landis' personal favorite film of his own. D
The wolves used in the London Zoo scene were kept privately by Roger Palmer in the UK, and appeared [...] D
The player throwing darts in the match on television that David watches in Alex's flat is Rab Smith [...] D
It took five hours to add the undead makeup to Griffin Dunne, except for the scene at the end at the [...] D
John Woodvine, as Dr. Hirsch, makes a remark on the phone about surviving Rommel. Woodvine, born in [...] D
David Naughton and Griffin Dunne improvised the knock-knock joke. D
David Naughton kept the red puffer jacket he wore at the beginning. Griffin Dunne also kept his gree [...] D
At the close of the credits is a congratulatory message for the wedding of Prince Charles and Lady D [...] D
Was released into theaters on 21 August 1981, 18 days after John Landis' 31st birthday on 3 August. D
Frank Oz technically appears as two characters in the movie. Mr. Collins, the United States Embassy [...] D
While working on this movie, Rick Baker had been asked by Steven Spielberg to work with him on E.T. [...] D
Due to the controversy surrounding the lack of recognition projected towards The Elephant Man (1980) [...] D
Rick Baker claimed to have been disappointed by the amount of time spent shooting the face-changing [...] D
John Landis had to avoid filming any full-frontal nudity of David Naughton during the transformation [...] D
During the bar scene at the beginning of the film, the two chess players are played by Rik Mayall an [...] D
In a 2020 interview, David Naughton revealed that his favorite scene was when his character is in th [...] D
There is now a Slaughtered Lamb Pub in the Greenwich Village section of New York City which is in Gr [...] D
The attack scene saw Griffin Dunne just going for it with the screams, because he knew that was what [...] D
Viewers have wondered about David's newfound romance with Alex because the relationship seemed to ha [...] D
John Landis fought hard to secure the rights to the Cat Stevens song "Moonshadow" to use in the film [...] D
During the transformation, Kessler gets progressively hairier. Close-up shots of the hair growing we [...] D
Griffin Dunne improvised the line "What kind of ad is that for a pub". D
John Woodvine (Dr. Hirsch) was cast at short notice after the first two choices left the project. D
Only four American work permits were requested by the British government for the production: for dir [...] D
David Naughton's agent sent him to meet with director John Landis, and that's really all it took. No [...] D
John Landis originally wanted three other songs to add to the soundtrack: Cat Stevens wouldn't allow [...] D
John Landis wanted a weird, eerie ambience for the night shots he stated "So that wolf howl you hear [...] D
PolyGram executives Jon Peters and Peter Guber hoped John Landis would cast Dan Aykroyd in the role [...] D
Whenever they were getting their makeup put on to pass the time so they wouldn't get bored, director [...] D
John Landis stated in an interview his inspiration for the film "was the old 1940s horror movie, L'u [...] D
The guns that the Nazi werewolves use during the nightmare sequence are an Ingram Mac-11, an IMI Uzi [...] D
David Naughton remembers being in Germany just outside of Munich with Rick Baker as they were appear [...] D
For the love scene in the shower, David Naughton recalled "There are not a lot of showers in London" [...] D
David and Alexs' love scene was 'trimmed' by Irish censor frank hall when the film was first theatri [...] D
David Naughton took his parents to a screening of the movie when it first came out, and he tried pre [...] D
It's interesting that Dr. Hirsch asks David "Do you remember anything about the man who attacked you [...] D
Alex reads "A Connecticut Yankee in King Arthur's Court" to David in the hospital, and David is show [...] D
The porn film playing when David meets Jack is 'See You Next Wednesday', originally a phrase from 20 [...] D
Makeup artist Rick Baker's original intent was for David's features to directly mutate into those of [...] D
John Landis told Griffin Dunne that once he was back from the dead, he should never sound like anyth [...] D
The porn theater as written by John Landis in 1968 was supposed to be a theater that showed old cart [...] D
While filming the climax, John Landis had a bit of a communication issue on the set with the British [...] D
During a preview of the film the marquee said, "From the director of Animal House (1978)." Because o [...] D
When David's victims are discussing with him in the porno theater on how he should kill himself, one [...] D
As of 2014, the only John Landis movie to win an Academy Award. D
There are three versions of the song "Blue Moon" in the film: one as the opening credits, sung by Bo [...] D
James Fox and Robert Stephens were both considered for the role of Dr. Hirsch. D
Another demand from Landis regarding the transformation was that the scene had to be shot in bright [...] D
All of the people gathered around the porno theater at the end really thought there was a wild anima [...] D
Rik Mayall and Adrian Edmondson were offered parts in the film after John Landis saw them perform on [...] D
After another stage of transformation with a body suit, and a further one with a hairier torso appli [...] D
The little strip of skin flapping about on Griffin Dunne's face when the undead Jack visits David in [...] D
The part that cracks up David Naughton the most is Jenny Agutter's character inviting his character [...] D
In a triumph for Universal Studios, the 2013 Halloween Horror Nights event at the Orlando park succe [...] D
When David rolls over and falls on his back, there is a new facial make-up and a denser wig. To port [...] D
David Naughton points out how confident Landis was in Rick Baker's spectacular make-up effect work d [...] D
Baker obviously wanted to distance himself from the groundbreaking effects of L'ululato (1981), for [...] D
The transformation process had to be achieved in a realistic, believable way, and was to be shot in [...] D
It took five hours to get Griffin Dunne into phase two make-up. D
When David calls home to speak to his family, he speaks to his sister Rachel. During the conversatio [...] D
This movie was filmed in four weeks from 2 February 1981 and ended on 3 March 1981 after 29 days of [...] D
Because David calls King Charles III' sexuality into question in the film, a disclaimer was added to [...] D
Despite the movie being about a man who becomes a werewolf, David doesn't become a werewolf until 59 [...] D
Given the transformation had to be realistic, Baker approached it from a scientific point of view. H [...] D
A full make-up appliance matching the final configuration of the first 'Change-o-Head' acted as a br [...] D
Stuntman Vic Armstrong played the bus driver who swerves to avoid the werewolf in Piccadilly Circus. [...] D
The zoo scene was Griffin Dunne's first day on set, and he remembers it being the first time he saw [...] D
Griffin Dunne didn't keep the torn-up jacket that his undead character wears. David Naughton still h [...] D
John Landis stated about Elmer Bernstein writing the score as "a big, bombastic, frightening piece o [...] D
Griffin Dunne said the toughest thing about the phase two make-up was the false rotting teeth. Dunne [...] D
John Landis's idea of the transformation was a visceral one; he wanted to portray the pain that is a [...] D
John Landis first came up with the story when he was a teenager, to which he attributes the romantic [...] D
While John Landis was trying to get this film made, Rick Baker became tired of waiting (over eight y [...] D
David Naughton didn't know Griffin Dunne before doing this film, stating, "We were thrown together q [...] D
Griffin Dunne has been told by fans of the film to "Beware the moon" or they call him a "walking mea [...] D
John Landis wanted David and Jack to resemble astronauts to emphasize how out of place and alienated [...] D
David Naughton expressed concern about typecasting, suggesting he was mostly being offered horror sc [...] D
The opening scene of the movie depicts friends David (David Naughton) and Jack (Griffin Dunne) on a [...] D
Bringing the Werewolf's four-legged form to life was another challenge. A full animatronic character [...] D
Rick Baker and his crew started the process by making the molds. Naughton added: "Most people now kn [...] D
Body Count: 9 D
During the closing credits, there is the standard disclaimer that the movie is a work of fiction and [...] D
Griffin Dunne was reluctant to go out in makeup and freak people out at pubs as suggested by the mak [...] D
David's red puffer jacket is a nod to Little Red Riding Hood. D
This movie was released during an early- to mid-1980s cycle of werewolf movies. The other movies are [...] D
This marks the only time John Landis worked with both David Naughton and Griffin Dunne. D
In the long shot, when Dr. Hirsch sees the newspaper about the murders, the double-decker bus behind [...] D
John Landis: [See You Next Wednesday] The title of the film playing in the porn theater. D
The head transformation constructed for the phase featured a fiberglass inner structure and mechanis [...] D
John Landis tried to land producer Albert R. Broccoli for his project after Landis made some uncredi [...] D
When Jack was killed by the first werewolf, make-up artist Rick Baker told Griffin Dunne to be caref [...] D
Griffin Dunne had never done a feature film before and didn't even audition for this one, but a 10-m [...] D
The nightmare with the Nazi werewolves confused audiences, and led to some walk-outs. David Naughton [...] D
At the time of the film's release, some Britons, particularly Northerners, were infuriated with the [...] D
After filming was completed the whole crew danced in a circle around David Naughton who was still in [...] D
Jenny Agutter joked in a 2002 interview that the day she shot the nude shower scene, the crew seemed [...] D
In a 2018 interview, David Naughton revealed he's not surprised that affection for the film has not [...] D
The werewolf, either as Paddy Ryan (first werewolf) or David Naughton (David Kessler), has only one [...] D
Unusual, especially for its time, is the fact that the panic is gruesomely shown to kill almost as m [...] D
The scene with David (David Naughton) in the cage with the real wolves was filmed in one take, as Na [...] D
All the songs in this film have the word "moon" in their titles. D
For a YouTube skit, posted by "Homemade Movies", John Landis' son, Max Landis, acted out the werewol [...] D
Landis's script describes the beast vaguely, frequently refering to its "blazing eyes"; it also brie [...] D
Rick Baker plays one of the Nazi werewolves in the nightmare sequence (specifically the one who slas [...] D
The total duration of composer Elmer Bernstein's original score for the film is a total of seven min [...] D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. D
For her role as a nurse, Jenny Agutter spent some time in a London hospital observing nurses at work [...] D
David Naughton revealed on the 2002 DVD commentary for this film that he had a huge crush on Jenny A [...] D
The title of the movie "See You Next Wednesday" is a trademark of John Landis' work. First encounter [...] D
The dolly grip operator plays a pedestrian waiting for the bus to come when David is wearing the wom [...] D
David Naughton said the transformation scene took six days to complete, roughly 10 hours a day spent [...] D
Included among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 F [...] D
In the subway tunnel, a poster for the 1980 Special Edition re-release of Incontri ravvicinati del t [...] D
The location shooting of the front of Alex's flat and surrounds was filmed on or around Lupus Street [...] D
Jack talks about the supernatural and the power of darkness, ironically his actor's real name "Griff [...] D
John Landis wanted to use Elvis Presley's rendition of "Blue Moon" on the soundtrack. This was alway [...] D
When David calls home, you can see that The Jam is written across the front of the call box. D
Director John Landis took a 'less is more' approach with how much he shows the werewolf and wanted t [...] D
David Naughton was reportedly cast because John Landis had seen him in a television commercial for D [...] D
John Landis tried to land James Bond producer Albert R. Broccoli for his project, after Landis made [...] D
This is the first film to earn the Academy Award for Best Make-up. That category was created in 1981 [...] D
It is unknown if Jack and all six of David's victims were free of the curse and able to move on to t [...] D
The two-minute transformation sequence, where Kessler strips down before agonizingly turning into a [...] D
Unlike most motion pictures, it was filmed in sequence. D
Filmmaker Edgar Wright once said that he first saw this movie with his brother on TV when he was nin [...] D
The Slaughtered Lamb also has another meaning to it as Jack and David leave after being asked to do [...] D
David Naughton's wife at the time, Denise Stephens, plays the woman in Trafalgar Square whom David a [...] D
John Landis' favorite line in the film was: "Please remain sane, at least until you're no longer our [...] D
As production approached, John Landis repeatedly asked Griffin Dunne if he was claustrophobic. "I di [...] D
John Landis and (an uncredited) Jenny Agutter both appeared as hospital workers in Sam Raimi's Darkm [...] D
The crew always gave Naughton a hard time, he stated "but the British people were really polite and [...] D
Both David Naughton and Griffin Dunne agree that the funniest line was when one of the hobos says, " [...] D
Griffin Dunne helped puppeteer the "zombified" version of his character Jack in the porno theater sc [...] D
John Landis says that people always mistake the movie for a comedy. He quipped, "It's not a comedy. [...] D
David's werewolf transformation scene is two minutes long. D
David Naughton described Jenny Agutter as "a class act. I'd been a student at the London Academy of [...] D
Peter Ellis (Bobby in Trafalgar Square) and John Salthouse (Bobby in cinema) both went on to play pa [...] D
In 2016, it was revealed that screenwriter Max Landis, son of John Landis, will be writing and direc [...] D
John Landis used his own middle name for the character of David. D
The fake porno movie "See You Next Wednesday" was the first thing to be filmed during production. D
John Landis: Appears briefly near the end of the film. He is the bearded man who gets hit by a car a [...] D
The hospital to which David is brought after being attacked by the werewolf was a disused hospital, [...] D
David Naughton and Griffin Dunne both shared make-up memories, including Dunne finding himself incre [...] D
The opening scenes were filmed in Wales as a more convenient substitute for Northern England. D
When David calls home to his family to tell them he loves them, the area code he gives is (516), whi [...] D
When David's hand elongates, this involved cable-controlled fingers and a pneumatic ram to achieve t [...] D
David Naughton was performing half the movie fully nude, including one lengthy sequence in the zoo t [...] D
In an interview with Mick Garris on "Take One", John Landis stated that in a preview, he included a [...] D
In order to get the movie down to an R-rating, Landis had to tone down the sex scene and cut out a p [...] D
The Werewolf was originally supposed to be shown only in sparse and quick cuts; for that reason, Bak [...] D
When it came to showing the audience the actual Werewolf, John Landis had a precise set of ideas on [...] D
The reason Cat Stevens wouldn't let John Landis have the rights to his song "Moonshadow" is that he [...] D
Jack picking up the Mickey Mouse figurine and saying in a high-pitched voice "Hi, David" wasn't scri [...] D
Rick Baker and John Landis had several disagreements over what the design of the werewolf should be. [...] D
To ease filming, given that David Naughton was not a hairy person at all, the transformation stages [...] D
Two of the people in the street were real life husband and wife, Jack Armstrong and Alecia St Leger. D
Dr. Hirsch (John Woodvine) drives a red 1977 MG B Gt (AD076). D
In the scene where David walks outside of Alex's house to say goodbye to her when she is going to wo [...] D
John Landis advised Griffin Dunne that the key to the character of Jack Goodman was that he was alwa [...] D

Connessioni

Nessun dato in archivio

Domande

Nessun dato in archivio

Errori

When Doctor Hirsch is reading the newspaper about the murders, the first paragraphs of the news stor [...] D
When David and Jack are walking on the moors, their shadows are always in front of them, despite the [...] D
When David is watching TV before his transformation, he sees a contemporary advertisement for 'The N [...] D
When Dr. Hirsch speaks on the intercom during his meeting with Scotland Yard, he initially presses t [...] D
When Inspector Villiers gets his head bitten off by the werewolf, the werewolf's rubber teeth bend i [...] D
Dr. Hirsch asks David "Do you remember anything about the man who attacked you?" David responds, "Dr [...] D
It would seem extreme to take a badly injured patient all the way from Yorkshire to London - a journ [...] D
When Gerald Bringsley is running from the werewolf and trips on the escalator, on the long shot down [...] D
The orderly explains that David is being served toast and jam. However, in subsequent shots, it is o [...] D
When Gerald Bringsley first sees the werewolf in the tunnel, he makes a right turn with the camera b [...] D
At the beginning sequence, after he left the car with the sheep, David has dirt on his jacket. At th [...] D
When David is in the phone booth and is contemplating committing suicide by slashing his wrist, he's [...] D
The amount of Guinness in Dr. Hirsch's glass at the pub keeps changing. D
During David's first transformation, he shockingly watches as his right hand transforms, he raises h [...] D
The villagers probably considered shooting David to sever the wolf's bloodline and end the curse; ho [...] D
In the final scene, an RT bus is shown as being in-service in Piccadilly Circus. In fact, the last R [...] D
At the film's end, Alex is standing a few feet away from the werewolf. Several police officers are a [...] D
After the phone call in the public telephone booth, David takes out a Swiss knife, determined to end [...] D
In the pub scene, the level of the beer in the glasses changes. D
When David turns into a werewolf for the first time and starts killing people, his fangs and mouth a [...] D
At the beginning, Jack and David walk from a rural intersection to East Proctor. When they get to to [...] D
When David and Alex are checking out of the market, the close-up of the cashier shows her pressing t [...] D
When the werewolf is seen approaching the escalator in the Tottenham Court Road underground station, [...] D
When Jack is in his final state of undeath in the porno theatre with the rest of the people that Dav [...] D
In the Slaughtered Lamb when David and Jack order tea, the conversation resumes around the room. The [...] D
In Piccadilly Circus, when the red car crashes into the orange car, the passenger is already through [...] D
During the Piccadilly Circus car-crashing sequences, a fawn-colored car skids and sandwiches a polic [...] D
Repeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transf [...] D
In the opening scenes, David and Jack reveal they are in northern England, and all the locals speak [...] D
The couple in the street are the first to be attacked by the werewolf in London. As they walk in the [...] D
During the Piccadilly Circus massacre, a side shot of the werewolf reveals part of its puppetry mech [...] D
During the transformation, the lights in Alex' flat are turned on. However, two subsequent shots sho [...] D
After his initial transformation, how does werewolf David get out of the apartment? He can't work th [...] D

Frase

Dart Player: You made me miss. Jack: Sorry. Dart [...] D
David: Look at me, here I sit in a porno theatre i [...] D
David: [while transforming] I didn't mean to call [...] D
Alex: Let's try a little harder, shall we. D
Jack: David, you are hurting my feelings! David: [...] D
Dart Player: [to Dr. Hirsch] He'll change, He'll.. [...] D
Taxi Driver: Puts you in mind of the days of the o [...] D
David: It wasn't a lunatic. Alex: I beg your pard [...] D
David: It's a sheepdog or something. Come on, turn [...] D
Mr. Collins: These dumb ass kids. They never appre [...] D
Jack: Oh shit David. What is that? D
[Appearing for the first time as the undead] Jack [...] D
Dr. J. S. Hirsch: If I survived Rommel, I can surv [...] D
Dr. J. S. Hirsch: Sister Hobbs said, there's a dis [...] D
Jack: Beware the moon, David. D
David: I'm a werewolf. Alex: Are you alright? Da [...] D
David: How could there have been witnesses? It was [...] D
David: Maybe its a sheep dog... lets keep going D
David: I want you to arrest me, you asshole! Bobb [...] D
David: That's easy for you to say. You're already [...] D
Jack: Those sheep shit on my pack. D
David: I will not be threatened by a walking meat [...] D
David: [David has returned to Alex's flat wearing [...] D
Alex: Perhaps you'd like to watch the telly, whils [...] D
Dr. J. S. Hirsch: If the villagers believe that Ja [...] D
Gerald Bringsley: [accusing David of his murder] W [...] D
[still discussing how David can kill himself in or [...] D
Dart Player: You made me miss... I have never miss [...] D
Jack: Remember the Alamo. Barmaid: I beg your par [...] D
Chess Player: There was this airplane over the Atl [...] D
Alex: Remember, I'm just a working girl. So, don't [...] D
[first lines] Truck Driver: That way is Proctor, [...] D
Little boy: A naked American man stole my balloons [...] D
Alex: I'm torn between feeling very sorry for you [...] D
Jack: It's a pentangle, a five-pointed star. It's [...] D
Dr. J. S. Hirsch: You'll be leaving this hospital [...] D
Jack: Ah, fuck, David... what IS THAT? D
David: I could hang myself. Jack: No. No, if you [...] D
David: I'm going to the police. Jack was right. A [...] D
Alex: Benjamin, have you ever been severely beaten [...] D
David: I don't know why I feel so good. I haven't [...] D
David: Maybe it's a sheep dog... let's keep going. D
Dart Player: Go. Stay on the road. Keep clear of t [...] D
Sean's Wife: [looking out the window as the werewo [...] D
[last lines] Alex: I love you David. D
Jack: Do you have any hot soup? Barmaid: No. Dav [...] D
Jack: You scared me, you shithead! D
Alex: Remember I'm just a working girl, so don't e [...] D
Jack: [describing his funeral] Debbie Klein cried [...] D
David: [sees Jack's reflection in bathroom mirror [...] D
Jack: Now, I'm really sorry to be upsetting you, b [...] D
Jack: It's a full moon... Jack, David: [rememb [...] D
David: I think Debbie Klein is a mediocre person w [...] D
Jack: Life mocks me... even in Death! D
David: My memory is fine. It's my sanity I'm begin [...] D
Jack: Did you hear that? David: I heard that. Ja [...] D
Jack: [to the truck driver] You have very beautifu [...] D
David: Nurse! Jack: Listen to me! David: [crying [...] D
Alex: I'll be perfectly honest with you David, I'm [...] D
David: [to himself] I'm going completely crazy. D
Alf: Here! Who's there? Ted: That's not Winston! [...] D
Jack: Have you tried talking to a corpse? It's bor [...] D
Alex: Will I have to take such drastic action agai [...] D
Dr. J. S. Hirsch: I'm certain if there were a mons [...] D
Nurse Susan Gallagher: I think he's a Jew. Alex: [...] D
Hospital Porter: Don't ask me, I'm just an orderly [...] D
Alex: Shall I be forced to feed you, David? D

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