|
Howard Hughes replies to Mrs. Hepburn's statement "we don't care about money" with "that's because [...]
|
D
|
|
When Hughes asks how long can the Civil Aeronautics Board keep the Constellations grounded, Frye re [...]
|
D
|
|
The dialog places the scene where Hughes shows Frye and Gross the XF-11 on Christmas Night 1944, bu [...]
|
D
|
|
When Hughes is checking the control panel mock-ups for the Hercules, his hands are on/off the contr [...]
|
D
|
|
In a shot with the Hercules aircraft in the background, a painter is seen applying paint to the nos [...]
|
D
|
|
The wedding ring on Mrs. Hughes' left hand as she reaches for the soap tin is a plain gold band, wh [...]
|
D
|
|
Robert Gross's eyeglasses are too thin and modern for the time period.
|
D
|
|
As Hughes is on the phone ordering Reel 10 to be re-run, his right index finger is pointed. When he [...]
|
D
|
|
There are references to both Ava Gardner and Linda Darnell well before either became a movie actres [...]
|
D
|
|
As Hughes complains about the airplane footage, his arms are moving in a circular motion in one sho [...]
|
D
|
|
As Hughes finishes shaving as he talks to Hepburn, there is still foam on his chin. As he moves to [...]
|
D
|
|
During lunch with the Hepburns, as Dr. Hepburn asks Hughes if he reads, Hughes handles a fork and a [...]
|
D
|
|
Before the man throws the crumpled-up paper ball at Errol Flynn, a couple passes between them, disa [...]
|
D
|
|
During the speed runs of the H-1, Hughes increases engine power for each run, as evidenced by the i [...]
|
D
|
|
When Howard arrives at the Hepburns', and the dog greets him, there is a visible laser pointer on t [...]
|
D
|
|
The bulbs that Howard and Harlow are stepping on and breaking at the premier aren't camera flash bu [...]
|
D
|
|
When Katharine and Howard drive up to the Hepburn estate, it is sunny. When she gets out of the car [...]
|
D
|
|
In the projection room with Dietrich, Hughes jots down notes with his right hand. When he is at Ava [...]
|
D
|
|
Hughes has cellophane wrapped on the yoke of the plane he flies Katharine in, yet the stick of the [...]
|
D
|
|
When Hughes is burning his clothes, his fringe appears in the close ups and disappears in the wide [...]
|
D
|
|
When Professor Fitz "promises" clouds in Oakland, Howard Hughes orders his entire squadron of plane [...]
|
D
|
|
Referring to her family and the people at their compound, Mrs. Hepburn tells Hughes: "We're all Soc [...]
|
D
|
|
At least two of the Feds who trash Hughes's office are smoking filtered cigarettes.
|
D
|
|
As Hughes goes down in the XF-11, his headset disappears, yet he is still able to communicate with [...]
|
D
|
|
As Hughes enters the tent at the end of the film, he is carrying his hat. When he's talking to Noah [...]
|
D
|
|
When Hughes starts to shout "Oakland!", the shadow of the tower behind him and Dietrich changes. [...]
|
D
|
|
The overhead shot of the H-1 just before Hughes takes it off for its test flight show the airplane [...]
|
D
|
|
As Dietrich breaks the bad news regarding the cost overruns on Gli angeli dell'inferno, Hughes runs [...]
|
D
|
|
Despite the fact that this was filmed in Super 35, "Filmed in Panavision" is listed in the end cred [...]
|
D
|
|
After Ava Gardner shaves Hughes, she instructs him to rinse off his face. The water in the sink has [...]
|
D
|
|
The close-ups of the stopwatch timing Hughes isn't the same stopwatch that Odie is holding.
|
D
|
|
In real life, Howard Hughes hired Noah Dietrich in 1925 when Hughes took over ToolCo, and right aft [...]
|
D
|
|
In the Cocoanut Grove with Errol Flynn, the waiter brings out Hughes' "usual", which includes 12 pe [...]
|
D
|
|
The two models who present the Hercules are at the curtain as it parts. In the next shot, they are [...]
|
D
|
|
A main plot point is that Hughes is mysophobic, yet he engages in behavior that someone who suffers [...]
|
D
|
|
When Hughes and Hepburn are first flying together, they are flying over LA at night. You can see al [...]
|
D
|
|
The scene in which Howard Hughes locks himself in the projection room and cuts off most contact fro [...]
|
D
|
|
Johnny Meyer tells Hughes that all the color cameras in Hollywood are being used by Cecil B. DeMill [...]
|
D
|
|
When Hughes is in hospital, Trippe sends a flower arrangement that contains Gerber Daisies, a hybri [...]
|
D
|
|
At 1h 41m 4s Hugh's aircraft starts impacting the ground, he would be thrown forwards, not backward [...]
|
D
|
|
The posters outside the viewing room where Howard locks himself change when he leaves. Before he le [...]
|
D
|
|
Various people and events in Howard Hughes' life, and events in the lives of the real-life characte [...]
|
D
|
|
As Hughes tells Dietrich "but it all makes good sense to me", the action behind them changes. [...]
|
D
|
|
As Hughes talks to the cigarette girl at the Cocoanut Grove, the same couple walk up to the table b [...]
|
D
|
|
During the H-1 run, close up shots of Hughes shows an open canopy, but farther shots show a closed [...]
|
D
|
|
Howard Hughes is shown ordering 40 Lockheed Constellations on Christmas Night 1944 after being pitc [...]
|
D
|
|
Hughes' left hand is hanging up the phone as he points his right index finger up to acknowledge Kat [...]
|
D
|
|
At one point in the film, Hughes and Hepburn address each other as "City Mouse" and "Country Mouse" [...]
|
D
|
|
When Professor Fitz tells Hughes there are clouds in Oakland, the sky behind Fitz is blue, but the [...]
|
D
|
|
The Spruce Goose flies over a group of boats, which disappear in the next shot. Moreover, the plane [...]
|
D
|
|
During the crash of the XF-11 aircraft over Los Angeles, Hughes radios that he will put down on the [...]
|
D
|
|
The film implies that Howard Hughes entirely re-shot Gli angeli dell'inferno for sound. In fact, he [...]
|
D
|
|
The lamp shade Errol Flynn removes off the lamp sits flat on the table, then leans on its left side [...]
|
D
|
|
In the early scene when Hughes takes Hepburn on a flight over LA, the first aerial shots briefly sh [...]
|
D
|
|
The director insisted that certain portions of the film be color-adjusted to simulate faulty film p [...]
|
D
|
|
When Ava Gardner smacks Hughes, the flowers in the vase he knocks down fall onto the left side of t [...]
|
D
|
|
Howard Hughes writes in his notebook with his left hand as he asks Ava Gardner what she thinks abou [...]
|
D
|
|
As Hughes enters the tent at the end of the film, he raises his arms to clasp Noah and Odie on thei [...]
|
D
|
|
Luddy shoots Hughes with a Bolex reflex camera from the 1950s.
|
D
|
|
When Hughes is washing his hands at the Cocoanut Grove, the one where he cuts his finger, the overh [...]
|
D
|
|
When Hughes asks Jack Frye how much controlling interest in TWA would cost him, Frye responds, "Cal [...]
|
D
|
|
During lunch with the Hepburns, as Hughes complains about the dog, Luddy holds a bowl of string bea [...]
|
D
|
|
After Hughes crashes the XF-11 and is laying on the ground, the left leg of his trousers is undamag [...]
|
D
|
|
The headrest of the XF-11 is taller from the back view and shorter from the front view when Hughes [...]
|
D
|
|
When the H-1 runs out of fuel after the last speed run, Hughes immediately yanks the throttle compl [...]
|
D
|
|
In the closing credits, Kenneth Welsh's name is misspelled as Kenneth Walsh.
|
D
|
|
Hughes refers to the Lockheed "F-80" when he's talking to Noah and Odie about working with jet engi [...]
|
D
|
|
The right-side half of the soap holder on the bathroom sink as Hughes vigorously washes his hands i [...]
|
D
|
|
According to biographers, Hughes Tool Company ("Tool Co"), which owned a 90% market share of petrol [...]
|
D
|
|
When we see Sir Ian Holm sitting in the Hercules his head barely comes over the back of the seat. I [...]
|
D
|
|
During lunch with the Hepburns, when Katharine mentions the plane Hughes is building, Luddy, a glas [...]
|
D
|
|
The static shot of Odie and the others watching Hughes zip by them during the speed test was clearl [...]
|
D
|
|
The Sydney, Honolulu, and Los Angeles clocks first seen in Trippe's office are later replaced by cl [...]
|
D
|
|
The sunlight when Hughes is in the cockpit of the XF-11, taxis down the runway, then takes off. [...]
|
D
|
|
At the premiere screening of Gli angeli dell'inferno, in the first wide shot after the film ends, D [...]
|
D
|
|
Louis Mayer's mouth movements doesn't match his vocals near the end of his talk with Hughes. [...]
|
D
|
|
While at the controls of the Goose, LDC is shown with his hand on 8 throttles; the day of the fligh [...]
|
D
|
|
The shot of Hughes and Ava Gardner talking near the end is spliced with a shot of them over Howard' [...]
|
D
|
|
Hughes flies the H-1 without goggles, yet his eyes are not affected. Even with a windscreen, the wi [...]
|
D
|
|
In the H-1 run, Howard Hughes wears a fedora. As the newsreel account of the ensuing crash showed, [...]
|
D
|
|
Errol Flynn holds a drink in his right hand and a cigarette in his left hand as the man behind him [...]
|
D
|
|
We cut to a frontal view of the plane whose rudder Hughes is inspecting with Dietrich, then to a sh [...]
|
D
|
|
During lunch with the Hepburns, when we cut to Hughes after Luddy says "What are you snickering at? [...]
|
D
|
|
Odie was not aboard the Hercules on her maiden flight because Hughes wanted there to be no doubt th [...]
|
D
|
|
During lunch with the Hepburns, when Luddy says to Katharine "a mere trifle, darling", Hughes's arm [...]
|
D
|
|
During lunch with the Hepburns, as Hughes reacts to Dr. Hepburn telling him he's a urologist, there [...]
|
D
|
|
Odie has his finger on the reset button of his stopwatch during the speed-test, then at the crown. [...]
|
D
|
|
Hughes has small hands with slender fingers, but the right hand that reaches for the Cocoanut Grove [...]
|
D
|
|
On the door when Hughes is in hospital after his plane crash.
|
D
|
|
When the Spruce Goose first gets airborne, two members of the crew stationed behind the cockpit can [...]
|
D
|
|
As Hughes steps out of his plane just before meeting Hepburn on the beach and he buttons his coat, [...]
|
D
|
|
The angle of the sketch of the Hercules on the back of the photo that Hughes hands to Odie changes. [...]
|
D
|
|
During lunch with the Hepburns, as Luddy asks Katharine something, he passes a bowl of string beans [...]
|
D
|
|
The propeller tips on the XF-11 are painted. Archive photos show that the first XF-11 didn't have p [...]
|
D
|
|
In the Pantages Theatre premiere sequence, posters for Donne are quite visible. On the soundtrack w [...]
|
D
|
|
The amount and position of fudge on the sundae that Hughes and Faith Domergue share in the Cocoanut [...]
|
D
|
|
At the lunch with Brewster, the garnish on Hughes' fish, the garnish next to the fish, and the pota [...]
|
D
|
|
While shooting the dogfight, a plane clips the camera mounted on Hughes' plane, and brown film spew [...]
|
D
|
|
When Faith Domergue crashes her car into Howard Hughes and
Ava Gardner's car, even after two crashe [...]
|
D
|
|
How did Faith Domergue know exactly where Hughes and Ava Gardner were going, and when they would ar [...]
|
D
|
|
On the night Hughes shows his XF-11 to Robert Gross, which occurred Christmas 1944, a radio is show [...]
|
D
|
|
When Hughes is flying the Xf-11, you can see a very wide runway from the cockpit view before takeof [...]
|
D
|
|
The mink on Katharine's right shoulder before and after Hughes hands her the steering wheel of the [...]
|
D
|
|
When Hughes is staring at his hands in the projection room he raises them to be illuminated by the [...]
|
D
|
|
At least one of the Fokker biplanes shown rolling for takeoff in the Gli angeli dell'inferno scenes [...]
|
D
|
|
Flynn's cigarette moves from his right hand to his left hand as Hughes and Hepburn stand up, then b [...]
|
D
|
|
When Howard Hughes is in the mens room washing his hands with his personal soap, a man with crutche [...]
|
D
|
|
Whilst Hepburn and Hughes are dining in the Coconut Grove in 1935, she states "Haven't you heard? I [...]
|
D
|
|
While Hughes asks Ava Gardner if she wants to go to Paris, two guys with blue suits pass behind the [...]
|
D
|
|
As Hughes wipes the blood off his hands in the Cocoanut Grove bathroom, it is obvious from the spot [...]
|
D
|
|
Several changes were made in the movie to the relationship between Katharine Hepburn and Howard Hug [...]
|
D
|
|
As Hughes orders Frye to dig up dirt on Owen Brewster, a man in a full brown coverall suit appears [...]
|
D
|
|
In the Cocoanut Grove Errol Flynn is portrayed as an established and successful movie star. The sce [...]
|
D
|
|
Errol Flynn has a drink in his left hand when he approaches Katharine Hepburn and Howard Hughes' ta [...]
|
D
|
|
During lunch with the Hepburns, as Mrs. Hepburn asks Hughes about his politics, the drinking glasse [...]
|
D
|
|
The hearings were chaired by Michigan Senator Homer Ferguson, not Senator Owen Brewster. Brewster d [...]
|
D
|
|
The ice cream spoon Hughes holds against the carton as he enters his office is in the carton when h [...]
|
D
|
|
During lunch with the Hepburns, when Dr. Hepburn asks Hughes "Don't you like dogs?", there are carr [...]
|
D
|
|
As Hughes and Trippe talk, went we cut to Trippe, Faith has her arm raised, eating the sundae. But [...]
|
D
|
|
One of the SE-5As planes that Hughes and Noah walk past has an air-cooled cylinder engine instead o [...]
|
D
|
|
In 1928, Hughes orders 10 "chocolate chip cookies," not invented until 1933.
|
D
|
|
Errol Flynn reaches out for Katharine Hepburn's hand twice as Howard Hughes introduces them. [...]
|
D
|
|
Light screens are seen reflected in Robert Gross's eyeglasses.
|
D
|
|
The real Howard Hughes had brown eyes, but Leonardo DiCaprio's blue eyes are not covered with brown [...]
|
D
|
|
After reaching 352mph in the H1 Hughes describes himself as 'fastest man on the planet'. In fact th [...]
|
D
|
|
The positions of Hughes' arms and Frye's head, as they talk about Hughes buying TWA.
|
D
|
|
As Hughes lifts off in the XF-11, there are yellow and white stripes on the runway that weren't the [...]
|
D
|
|
It is not certain that Howard Hughes had any of his germ phobias prior to either the crash of the X [...]
|
D
|
|
During lunch with the Hepburns, when we cut to Hughes after Mrs. Hepburn says "Flying magazines?", [...]
|
D
|
|
In the film, the Hercules is not only airborne, but flying over boats and above the newsreel camera [...]
|
D
|
|
As Hughes runs his hand across the H-1's body the first time, you can see the sheet above his index [...]
|
D
|
|
As Frye tells Hughes about the airline route bill that Brewster is pushing on Trippe's behalf, Hugh [...]
|
D
|
|
When Hughes rolls out the "Spruce Goose" at the dinner party, the plane's eight engines are shown w [...]
|
D
|
|
After Dietrich introduces himself to Hughes, everything to their right disappears when the shot cha [...]
|
D
|
|
The Gillette razor Ava uses to shave Hughes is a black handled Gillette Superspeed dating from 1972 [...]
|
D
|
|
When Howard is lying in the hospital bed, the pillow changes positions between camera angles. [...]
|
D
|
|
Senator Brewster's eyeglasses have non-reflective coating.
|
D
|
|
After Huges crash lands the H-1 in a tomato field, he tells Hepburn that he landed in a beet field. [...]
|
D
|
|
The sky alternates between sun and shade during the speed-test run.
|
D
|
|
Hughes inspects a rudder while talking to Dietrich, but neither he or Dietrich are in the shot when [...]
|
D
|
|
During the test flight of the Howard Hughes H-1 racer, as Hughes pulls the plane up over the runway [...]
|
D
|
|
When Hughes is dining with Senator Brewster in the hotel, his jacket seems to vary between being bu [...]
|
D
|
|
In one scene Howard Hughes orders 10 chocolate chip cookies. The chocolate chip cookie wasn't intro [...]
|
D
|
|
When a model Hercules is shown at the party, it passes by two ladies in red twice.
|
D
|
|
Hepburn's reaction when Hughes pushes the yoke to her tells us that she knows nothing about flying, [...]
|
D
|
|
When first in the Cocoanut Grove, Hughes orders a "milk with the cap still on". When Howard receive [...]
|
D
|
|
Hughes puts the drawings for TWA's new logo down on the table to free his hands. But as he chews ou [...]
|
D
|
|
When we first see Louis B. Mayer, his arms are down. When he turns around after Hughes taps him on [...]
|
D
|
|
During the brawl in the nightclub, the violin player is standing/sitting between shots.
|
D
|
|
Gli angeli dell'inferno is set during World War I when parachutes were unavailable to pilots. But p [...]
|
D
|
|
In the first scene at the Cocoanut Grove, which was the nightclub at the Ambassador Hotel in Los An [...]
|
D
|
|
During the test flight of the "Spruce Goose", the flight engineer is calling out the airspeed in MP [...]
|
D
|
|
In the restaurant scene with the indoor snowfall, snowflakes on Hughes' shoulders appear and disapp [...]
|
D
|
|
A more careful examination of the timing of Hughes during the speed-test run: Odie says "347" (mile [...]
|
D
|
|
As Hughes stands at the doors to his office, the ice cream carton he holds has shifted to his left [...]
|
D
|
|
As Hughes gets the idea to build a single-wing plane out of the bi-plane, Odie smashes the support [...]
|
D
|
|
During lunch with the Hepburns, as Hughes tells Mrs. Hepburn "Well, that's because you have it", hi [...]
|
D
|
|
The handkerchief folds in the breast pocket of Trippe's dress jacket as he talks to Howard Hughes a [...]
|
D
|
|
When Howard and Faith are at the nightclub, they share a chocolate sundae. The scene begins with a [...]
|
D
|
|
The sunlight as Hughes taxis down the runway in the H-1 changes radically.
|
D
|
|
When Errol Flynn reaches Hughes and Hepburn's table, he takes a final drag off of his cigarette, th [...]
|
D
|
|
The Honolulu clock behind Owen Brewster shows the time is 9:30, 3 hours earlier than the time on th [...]
|
D
|
|
Hughes is holding a pen and notebook as he asks Ava Gardner what she thinks about the new name of h [...]
|
D
|
|
When Hughes is lying in hospital, his pillow changes positions between shots.
|
D
|
|
As Hughes and Trippe talk at the club, went we cut to Trippe, Faith has her arm raised, eating the [...]
|
D
|
|
When we first see Louis B. Mayer, the bar that he and his party are gathered at is to his left. As [...]
|
D
|
|
As Hughes approaches Mayer at the Cocoanut Grove, the men with Mayer switch positions.
|
D
|
|
The shots of Hughes flying the speed-test plane show him in an open cockpit, but the cockpit is cle [...]
|
D
|
|
Near the end of the film, when Hughes and others are in the tent beside the Spruce Goose, the ceili [...]
|
D
|
|
In the frontal shot of the Hercules, the pilot's and copilot's cockpit windows are open. The next s [...]
|
D
|
|
Timing Hughes during the speed-test run, Odie says "347" (miles per hour) then "352", yet, both tim [...]
|
D
|
|
When the model of the Hercules is brought out to promote the plane's construction, the propellers a [...]
|
D
|
|
The first time we see Pan-Am's headquarters, a close-up of the upper portion of the Chrysler Buildi [...]
|
D
|
|
In the first scene where they are filming Gli angeli dell'inferno, Hughes puts his hand up in the a [...]
|
D
|
|
Lighting screens are reflected in Katharine Hepburn's glasses while she's in the car heading to the [...]
|
D
|
|
As Hughes crashes into the neighborhood, a pair of glasses on a kitchen counter fall down twice. [...]
|
D
|
|
Immediately following the aerial filming on Hells Angels, the scene cuts to the Hells Angeles cast [...]
|
D
|
|
During the filming of Gli angeli dell'inferno, as one of the SE5a scout biplanes taxis past, the fa [...]
|
D
|
|
The "fog" surrounding the model of the Hercules as it taxis up and down the runway changes radicall [...]
|
D
|
|
In a newsreel account, Howard Hughes himself says that the H-1's top speed was "approximately 370 m [...]
|
D
|
|
In the film, the witnesses inside the Hercules are seated and separated from Howard Hughes as he wa [...]
|
D
|
|
The Gli angeli dell'inferno screened at the premier is not the master - which the real audience saw [...]
|
D
|
|
After Hughes yells "Oakland!", he passes behind Dietrich, then passes him again in the wide shot. [...]
|
D
|
|
(at around 45 mins) Hughes sits down to the table with Johnny Meyer who pulls out a cigarette and p [...]
|
D
|
|
As Katharine blots her face with the handkerchief on the golf course, a group of people walk up the [...]
|
D
|
|
At 1h 31m 50s the "Spruce Goose" in shown under construction. Although mainly built from wood, ther [...]
|
D
|
|
As Hughes and Dietrich first talk on the Gli angeli dell'inferno location, the same two men pushing [...]
|
D
|
|
The singer at the Cocoanut Grove is at the microphone until we cut to a wide shot, and he's now ste [...]
|
D
|
|
Odie tells Hughes that there is enough fuel in the H-1 for two runs. Just after takeoff, the fuel g [...]
|
D
|
|
As Hughes confronts Roland Sweet, you see the face of the thug in the car behind Hughes. When we cu [...]
|
D
|
